Victor Gonçalves

Passionate romance, brutal treachery, and selfless nobility are set against the background of Napoleon’s 1810 invasion of Portugal.

Victor has unfinished business with his former psychoanalyst Carmo. After years of holding a grudge, he lures Carmo into his house in order to finally take vengeance.

The film tells the story of Martin, a child of nine years, who one day disappears from private school where he studied. Police mounted a major search operation across the city to find him. All hypotheses are possible: What happened?

Lisbon, today. In a room of a house at Douradores Street, a man invents dreams and theorizes about them. The essence of the dreams itself becomes physical, palpable, visible. The text itself materializes in its musicality. And, in front of our eyes, this music can be felt with the ears, brain and heart. It spreads itself in the street where the man lives, in the city that he loves above all and over the entire world.

Jô is kicked out of home by his father on his birthday. Having no place to go, he takes refuge in the terrace of Rose, who just lost her husband.

War. Cleopatra and António lock themselves in the mausoleum while Brazil is recolonized. The word colonization comes to life and nature reacts to the destruction of the Earth from the desire for immortality. On the verge of his death, António asks for a “lullaby”. In a funeral mating dance, two historical and tyrannical characters dream, in the midst of war, of a non-binary policy of Love. In this de-colonial and queer rewriting of Shakespeare’s tragic play, Egypt is Brazil and Rome is Portugal.

The story of Jorge, an ambitious hacker with few scruples, which is discovered to divert money from the company where he works and decides to flee. In flight, turns out to have an accident during a snowstorm and, despite being in despair, eventually finding a home.

Variations around the texts of the poet Al Berto (1948-1997). In Al Berto´s work, fiction and autobiography converge into a register of reciprocal contamination – as well as lyricism and narrativity. The poetry served Al Berto as a register and memory aid. Therefore, the view is so important in this work: the act of looking confuses itself here with the writings. Thefore, because Al Berto´s poetry is another way of looking, it calls, requests other images that complement the comprehension of the writings, or if they oppose it, then in this opposition, bring new meanings to the reading.

Fernando’s friends have invited him to dinner as he has volunteered to join the peacekeeping force in Bosnia… At the restaurant he meets a girl and they go off to enjoy the rest of the evening together. Unfortunately, that night skinheads are on the prowl in the area.

Diamantes Negros tells the long journey undertaken by two young boys from Mali who arrive in Spain after being persuaded to pursue their dream of escaping from poverty by becoming professional football players.

At the core of a royal court unbalanced by the long absence of its King, where women seem to have disappeared along with reason, the Crown Prince is murdered. Wrapped in the plot of the promoters of a decaying libertine spirit, the heir’s brothers, a pair of twins united by the music they play together and their Valet, witness a hunt for the prepetator launched by the palace doctor's deduction. In the background of all the chatter rises the individual desire of the twins for the dynasty.

Francisco just got out of prison after a six year sentence and is now a free man. He wants to change, and after a few days sleeping in the subway tunnels, and some small jobs, he finally gets a room on a cheap hotel. He changes his looks, gets a job, lives his life.

A dehydrated man trespasses an estate and ends up by losing his freedom.

Somewhere in an unspecified time, Patrick Mendes presents an initiation ritual in a community at the ends of the earth.

Struggling against the crisis in Portugal, a mother doubles up jobs to pay the bills since her husband is unemployed. Their teenage daughter tries to keep living everyday life even if the money is running short, which makes everything uneasy. Escaping from their common reality, they slowly become strangers to one another, as the tension grows in silence and in guilt.

Ubu, instigated by his wife, murders King Venceslau and usurps the throne of Poland. Intoxicated by power, this grotesque and coward character conducts his reign in an absurd and cruel way, leading his kingdom to ruin. A cinematographic adaptation of Alfred Jarry’s play, a political satire that, cyclically, turns to the reality of world politics.

João is a freelance television journalist. When he begins a new story about an old pigeon breeder in a poor neighborhood on the outskirts of Lisbon, João meets Ana, his teenage granddaughter, a mysterious character who is beginning to exercise an irresistible fascination for him. With the time João starts to lose the interest in the pigeon breeder and begins to take an interest in Ana and her world, which she only shares with another abandoned kid, until she realizes that her life is full of dark stories.

Aleksandar Krisnjev got lost in the Unknown. Misled by enigmatic characters, he must reach the Ceremony and meet his Shadow.

A direct stare into masculine interaction as we follow three boys in their mid-twenties, António, Xavier and Miguel testing the limits of their sexual flexibility.

A message of praise to the President concludes a Party assembly, sparking apotheotic applause. In the middle of the crowd inquisitive eyes of the State Police look for the slightest sign of dissent, and the ovation does not cease.

Sonia and Branca are two close friends at their thirties's sexual peak, on the verge of their cosmopolitan loneliness. Despite the long relationship that keeps them together, they are so distant, that it's as if they didn't really know each other. Cronica Feminina (Women's Tales) is a dramatic comedy that talks about women, but essentially approaches, from the point of view of its characters, the human need to communicate, seduce, fantasize, the need for love in the bottom of all things

Mar Salgado is a story of a woman who had 2 twins and thought they died after the were born, but it couldn't be more far from truth, and now 16 years later she'll try to find them.

Zeca was jailed for a crime he didn't participate, now he's free and while trying to make a new life he encounters a kid, surprisingly the boy is Ema's son, his long time lover.

Diogo Almada is a successful account manager at a telecommunications company who is struggling with serious stress and anxiety issues due to the constant state of pressure he lives in. His situation becomes worse when he suffers a stroke which puts him in hospital. There, doctors tell him that if he doesn't slow down things could become much worse for him in the future. He also meets the owner of a vegetables and herbs greenery in Beirais, a small village in the midlands, who is looking to sell it. Diogo then decides to buy him out and risk it as a farmer himself. He wants his girlfriend Teresa to come along with him, but she refuses to leave Lisbon due to her career and also because she doesn't want to give up her city comforts. But Diogo decides to move to Beirais anyway, where he is faced with an entirely different reality from what he’s used to.

“I Love It” tells the story of Beatriz, a free-spirited young woman with a passion for music. She lives far from her family, as the current economic crisis has forced her parents to emigrate to Angola. She shares a home with Leila, a young Angolan woman who has recently arrived in Portugal to study Fashion Design and dreams of becoming a top stylist. Although their friendship is still new, it has grown stronger through their separation from their families and a shared bond that brings them together.

Despite the hardship, there are those who fight and overcome... Marta is a single mother and a humble woman who’s doing her best to offer her two daughters, Susana e Beatriz, a good life. But when she finds out that her younger daughter has a rare and serious condition, everything changes in this family’s life. Susana decides to seek out Rodrigo, the child´s father and a wealthy man who can afford to pay the much needed surgery abroad. Even though he didn't even know he had a daughter, Rodrigo accepts to pay for the surgery on the condition that he’s granted custody. Marta is then faced with the greatest dilemma in her life: in order to save his daughter, she’ll have to give her up. Rodrigo will end up using Beatriz in an elaborate ploy to get closer to Marta. However, his cousin Gabriel’s return to Portugal will make things difficult for him, as Gabriel will fall in love with Marta, thus turning into Rodrigo's rival.

Álvaro and Maria do Carmo lived happily in Angola. He was a successful businessman and she was a mild mannered housewife. They have two children together, Ana and João, who were studying and living their teenage years in Luanda... Until the day the civil war broke out and everything fell apart. Amidst declarations of independence, a wave of violence breaks out and the established peace and order fades away. In July, 1975, the Mendonça family, along with over five hundred thousand people, leave their belongings behind and embark on an air convoy that would become the biggest exodus in the history of the Portuguese people to a homeland that most only knew from photos and dubbed it Metropolis. In Lisbon, Joaquim and Natália, Álvaro’s brother-in-law and sister, take the Mendonça family in their small apartment, where they will try to get their lives back in order. However, over that hot summer of 1975, the integration seemed to be far from easy.