Shaan Vyas

One hundred years of Hindi cinema is celebrated in four short stories showcasing the power of film.

Four lives intersect along the Ganges: a low caste boy in hopeless love, a daughter ridden with guilt of a sexual encounter ending in a tragedy, a hapless father with fading morality, and a spirited child yearning for a family, long to escape the moral constructs of a small-town.

A woman's need for an unfinished sculpture blossoms into an obsession.

London-raised Ronnie returns to his home in India to discover his mother Suleka has died in mysterious circumstances. As he uncovers a series of similar past murders, Ronnie's own inner-darkness come to light.

A story based on real-life human-rights and criminal lawyer, Shahid Azmi, who was slain while defending the wrongly accused by the law in terrorist activities.

A young boy wants to become a big shot but after seeing the bad things involved he instead chooses to pursue his passion that is singing, similar to his father.

One evening, seven-year-old Sonu casually alludes to a ghastly act that he committed in school. Horrified and determined to correct his course, his doting mother Surekha decides that she won’t let him go down the same path as the other machismo-obsessed men in his family. Through her bedtime stories, she teaches Sonu the true virtue of equality.

Dear Dad is a bittersweet coming of age story; involving a father-son duo – 14 year old Shivam, and his 45 year old dad Nitin Swaminathan. The father-son duo embarks on an impromptu road trip from their home, in Delhi, to Mussorie (Uttarakhand), where Shivam attends boarding school. Unexpected confessions, weird strangers, accidental meetings, a drunken escapade and singing in the rain – all these add up to a complicated and sweet tale.