Ikranagara

Returning from Mecca, Darwis changes his name to Ahmad Dahlan as he is disturbed by the trend of Islamic laws in his society; that borders on heresy, Syrik (polytheism), and Bid’ah (wrong innovation). Using a compass, he proves that the direction of Qibla (that points to Mecca), in the Great Mosque of Kauman is wrong. The discovery angers every Kyai (Islamic experts), especially the head of the Great Mosque of Kauman, Kyai Penghulu Cholil Kamaludiningrat. Dahlan, who studied in Mecca for five years, is seen as a rebel upstart. Since the proposal of changing the direction of Qibla is rejected, Dahlan starts a movement calling for the change. On his first sermon as a preacher, Dahlan criticizes the habits of residents in his village in Yogyakarta: "In a prayer, only a sincere and patient heart is needed, it requires no Kyais, money, let alone offerings". As a result, Dahlan gets a hostile reception.

Ikal and Arai win scholarships to study at Sorbone, Paris. Meanwhile, Katya, a student on the same campus, chose Ikal to be her boyriend. Ikal felt guilty and his conflict with Arai made the two friends into different path.

Bintang Kejora, an adventurer, is a drug seller who is boastful. He is blacklisted everywhere for being a fraud. One time he comes to a drought-stricken village, merely to see a girl he caught a glimpse of, sticking her head out of the window of a passing bus.

It follows the struggle of clerics to keep Islam alive during the Japanese invasion of Indonesia in 1942.

The story follows Prayoga’s revenge against Bandot, who killed his brother, Prabowo, after Prabowo made Bandot’s girlfriend the model for his painting.

This documentary was initially meant to give a chance to those who had not yet seen the musical “Untukmu Indonesiaku” by Guruh Sukarnoputra. The musical is shown here but not in its complete form. The director weaves the footage of the show with what happens behind the scenes, the rehearsals and also the process of creating the show. Guruh himself makes an appearance and tells how he learns the art of Bali. There is also footage of the beginnings of the Swara Maharddika group. The director reveals Guruh’s background and influences, including his father Bung Karno and Indonesia’s wondrous nature.

It tells the story of Ramadhan and Monita, two people with opposite personalities who become entangled in a push-and-pull romance, presented with clever humor and social satire.

A group of 10 students struggles with poverty and develop hopes for the future in Gantong Village on the farming and tin mining island of Belitung.