Yvonne Frayssinet

Four stories taking place in Lima, Peru in the 70s.

A Peruvian schoolteacher conspires with a journalist to assassinate the official responsible for her fiancé's murder.

Margarita tells the story of Rafo (Giovanni Ciccia) who is a divorced parent in his forties that lives the life of a twenty-year old bachelor. Until his adorable, determined and tween daughter, Margarita (Francisca Aronsson), knocks on his door to move in his house without notice. Rafo's life will take a chaotic and fun turn in which he will find himself and other people like Claudia (Melania Urbina), his neighbor. Margarita, with her kindness and youth, will change Rafo's life and everyone around her forever.

Four middle class couples ranging from late teens to middle aged. All they can think about is sex but will they make it through the day?

An eccentric millionaire fakes his death to play a trick on his family, but ends up getting what he deserves.

Rebeca Duarte is a strong woman and resolute bisexual. Drawn to the risk and adrenaline-rush that her job provides, outsiders think Rebeca must have it all together. But Rebeca is still looking for something more. When she receives an unexpected package from an aunt, Rebeca’s neatly wrapped life begins to unravel. The package contains a photo album of her family in Peru, including pictures of her brother, who died before Rebeca could know him. The photos set off memories that cannot be silenced. As she follows the leads, Rebeca learns a truth about herself that shakes her to the core: the brother she was always told about was, in fact, herself. Rebeca learns of her childhood diagnosis as a hermaphrodite and the ensuing surgery that turned her “officially” into a girl. A compelling and skillful telling of a necessary story, BOTH is based on the experiences of the filmmaker as well as those of many other intersex adults.

Peru, early 2000s. Alfonso wants to be a writer, but he decides to work first as a journalist. He is assigned to the crime section of a newspaper, a job from which he can know the nasty guts of tabloid publications.