Aren Gallo

Mateus, a trans man around 25 years old, is confronted by his past when he finds a box of childhood items while moving. His things. He finds himself lost in his memories, and his personified childhood helps him reconnect with himself.

Ophelia is a 20-year-old girl who lives with her mother and grew up without a father. She suspects that he is Tedesco, a German artist who has just returned to Brazil. Determined to find him, she sends a letter notifying him of her arrival and that she will swim to him from the Santos bridge. Upon learning of the imminent arrival, Tedesco asks Smutter, his great friend, to start following her closely.

The year is 1984. Estela is going through the turbulent phase of adolescence. Sex, lovers, friendships; everything seems very complicated. Her uncle Carlos is her hero, and visiting him in California is her biggest dream. But everything collapses when he returns thin, weak and ill. Between crises and discoveries, Estela will face a reality that will forever change her way of seeing the world.​

When Tássila doesn’t fit in on Earth, her blood isn’t enough.

Pierre is seventeen and in the middle of puberty. He plays in a band, has sex at parties and secretly tries on women’s clothing and lipstick in front of a mirror. Ever since his father’s death, his mother Aracy has looked after him and his younger sister Jacqueline, spoiling them both. But when he discovers that she stole him from a hospital when he was a new born baby, Pierre’s life changes dramatically. In her new film, director Anna Muylaert explores the mother-child relationship through the eyes of a rebellious son whose whole world unravels overnight.

After years living in the capital, Ariel returns to her hometown on the coast with a new identity, having to deal with all the feelings that have been internalized during her absence, while at the same time meeting up again with her younger sister, Ana.

After two years, a trans woman returns to Brazil to care for her father, who is recovering from eye surgery. In the absence of words, guiding touches and small gestures become the language of their reencounter.

In an old, dilapidated mansion in downtown São Paulo, an old Shakespearean actor exiled from the stage lives with his ghosts. In his bed, surrounded by red curtains taken from an abandoned theater, he dreams of the plague and fire spreading throughout the country. A strange community forms around the old actor.