James Joyce

In 1987 Madrid, the unexpected encounter between a seasoned journalist and a young student leads to a profound exploration of love, desire, politics, power, and discovery of each other.

After a convivial holiday dinner party, things begin to unravel when a husband and wife address some prickly issues concerning their marriage.

The Wake is the title of a large-scale multimedia project, the main element of which is an eight-hour long silent movie. The film is based on Finnegans Wake by James Joyce (London 1939), a limit-transgressing, perhaps even limit-dissolving book that not only transgresses the limits of what literature is and is capable of, but inscribes transgressions on almost all conceivable levels. It is at the same time dream book, history book and necrology. It is almost impossible to determine whether we are dealing with a long poem, a prose narrative or a piece of drama.

The comfortable daily routines of aging Parisian actor Gilbert Valence, 76, are suddenly shaken when he learns that his wife, daughter, and son-in-law have been killed in a car crash. Having to take care of his now-orphaned grandson, he struggles to go on with his lifelong acting career like he's used to. But the roles he is offered -- a flashy TV show and a hectic last-minute replacement in an English-language film of Joyce's Ulysses -- finally convince him that it's time to retire.

Stabat Mater opens and closes with two sung laments, then launches into a breathless torrent of words and phrases, a re-reading of the eternal feminine of Joyce’s Ulysses, which echoes the exultant/feverish swoop of the camera through a Mediterranean landscape

Based on James Joyce’s play which follows four players and two couples, Richard Rowan, a writer and his “common-law wife” Bertha, and Robert Hand with his cousin and previous lover Beatrice, both old friends of the previous couple.

Dublin; June 16, 1904. Stephen Dedalus, who fancies himself as a poet, embarks on a day of wandering about the city during which he finds friendship and a father figure in Leopold Bloom, a middle-aged Jew. Meanwhile, Bloom's day, illuminated by a funeral and an evening of drinking and revelry that stirs paternal feelings toward Stephen, ends with a rapprochement with Molly, his earthy wife.

Based on the stage play Passages from Finnegans Wake, itself based on random passages from Finnegans Wake, Mary Ellen Bute's adaptation is a comical, avant-garde kaleidoscope about a man named Finnegan who dreams about his wake and then wakes up from his dream.

An animated short film inspired by James Joyce's 'Ulysses.'

An experimental interpretation of Joycean epiphanies.

This short documentary draws on the photographs of Robert French from the William Lawrence Collection held in the National Library. The photos illustrate the Dublin of 1904 which served as a backdrop to James Joyce’s Ulysses. The film traces Joyce’s childhood and adolescence, his meeting with Nora Barnacle on June 10th, 1904, and the highways and byways which Leopold Bloom wandered through on June 16th, 1904. The music in the film references some of Joyce’s favourite songs, many of which appear in Ulysses.

Bosco Hogan plays Joyce's alter-ego, Stephen Daedelus, growing up in Ireland in the early part of the 20th century, and at odds with the strictures of his Catholic home and family. The film charts his search for knowledge and understanding, during a decline in his family's circumstances, that leads him to revelations on the nature of art, beauty, and politics. However, his personal renaissance makes him feel unwelcome in his own country, and forces him to make a choice between exile as artist or staying and facing personal defeat.

After a priest dies, the young boy he befriended struggles to know how to grieve in a world of suspicion. James Joyce's The Sisters, part of our 52 films in 52 weeks project, completed in 2013. This film was adapted from James Joyce's short story The Sisters, part of his Dubliners collection. All of the 52 films in 52 weeks were produced in Arizona by Running Wild Films and 5J Media. This short features a local cast of actors including Mark DeBoer, Michelle Allen, Ron Foltz, Anne Gentry, Helen Sanger Pierce, Noah Lanouette, and John Miller.

Maria works in a German umbrella factory as the foreman of the production sector. João Lucas has given up on living a normal life and practically lives in bed, in the midst of green plants. His father expressly desired that his son film this eccentric daily life in 8 mm format. Maria’s wages are dilapidated to the last penny by this amateur, monstrous, family movie production.

The Sisters is an adaptation of the first short story in James Joyce's collected works, Dubliners. Set in 1915 Ireland, it tells the story of a young boy, who reflects upon his time with friend and mentor, Father Flynn, while coming to terms with the Priest's death. As he listens to the conversations of the adults around him and thinks back on his own time with the Father, the boy begins to come to a new understanding about his friend and possibly about himself, as he is confronted with questions of faith, loss and new beginnings.

Based on the story "Araby" from the collection "Dubliners" by James Joyce.

In this tribute to James Joyce, Fionnula Flanagan gives a tour-de-force performance as a half-dozen or so women in Joyce's real and fictional worlds. When she portrays his wife Nora remembering their time together, Flanagan captures the era and the author in lyrical detail. As Sylvia Beach, the woman who first published Ulysses, new dimensions concerning the importance of Nora in Joyce's literary visions of women emerge, and when Flanagan interprets Joyce characters like Molly Bloom or a washerwoman from Finnegan's Wake, the beauty of Joyce's language shines through the melodious words.

Adapted from James Joyce's Ulysses, Bloom is the enthralling story of June 16th, 1904 and a gateway into the consiousness of its three main characters: Stephen Dedalus, Molly Bloom and the extraordinary Leopold Bloom.

Ruslyk, the president's personal film director, tries to save the world while battling mental illness. During his one-day odyssey through the city of Minsk he encounters doctors, politicians, propagandists, artists, drunks and lowlifes.

The film chronicles the journey of a genius filmmaker who loses his creative side. Interestingly, his creative stream of consciousness is brought alive by the motley crew of his associates from the ashram he lives in.

The eleventh episode “Sirens” of the novel Ulysses by Irish author James Joyce, is readen by the voice of a machine. In this film, I used photographs I took before 2020 to imitate the sounds and voices described in the text. In the end, the dance of the manipulated body with animation comforted the anxious body that had locked itself in a room.

One day in the life of assorted Dubliners, in the summer of 1904.

Director Werner Nekes has created this experimental film in the mode of James Joyce's Ulysses to the extent that human interactions are represented by poetic, symbolic images and language, with a certain amount of nudity added in.

Two reluctant companions, schoolmates on the mitch, roam through Dublin along the Royal Canal. An encounter with a stranger leaves one boy changed utterly. Loosely based on the James Joyce Dubliners short story.

A BBC television anthology series featuring productions of classic and contemporary stage plays usually broadcast on BBC1. Each production featured a different work, often using prominent British stage actors in the leading roles. The series was transmitted from October 1965 to September 1983.

Anthology series of dramatic works.

An anthology of short plays shown on BBC Television between 1965 and 1973, used in part at least as a training ground for new writers, on account of its short length, and which therefore attracted many writers who later became well known.