Charles A. Stevenson

Franti, an organ grinder of the poor districts of New York, has a daughter, Isola, who sings to his street piano's accompaniment.

Glamorous and wealthy French woman Jacqueline Cartaret considers marrying Ernest Augarde, the harmless bookworm who adores her, but finally selects a dashing count, Andre De Juvigny. Lucia De Morfontaine, a beautiful widow who had an affair with Andre before his marriage, still loves the handsome count and pursues him so ardently that Jacqueline soon becomes convinced of her husband's unfaithfulness.

Rich Matthew Thurlow, spends nearly every night at cabarets, admires Dazie, a leading dancer whom he calls "Redhead." Dazie loves Matthew, but she is dismayed that he wastes his life in clubs. After Matthew, while intoxicated, marries Dazie to win a bet, Dazie insists that they remain married. When Matthew's uncle cuts off his allowance and ends his "soft" bank job, Dazie decides to make a man out of Matthew, but he scorns her. She rents a small apartment, while he gets work in an auto factory. Although Matthew is genial when Dazie's parents visit, he remains cold to her. When Matthew's uncle offers Dazie money for a divorce, she refuses, but says that she will agree to a divorce if Matthew really wants one. Matthew develops a new interest in life and realizes he loves Dazie when he becomes jealous through a misunderstanding. After his uncle, seeing Dazie's effect on Matthew, threatens to disinherit him for good if he does divorce her, Matthew confesses his love.

Just before his sudden death, a businessman accuses his son-in-law of embezzlement. His daughter is convinced of her fiancée's innocence and tries to clear his name and unmask the real villain and is aided by secret messages…from her dead father. Or are they?

Phoebe-Ann assumes her ill mother's duties as caretaker of the Washington Square studio of Worthington Bryce, who in attempting to become an artist against his wealthy father's wishes, has succeeded only in painting the town red. After her mother dies, Phoebe-Ann moves in with Worthy and his valet Jenkins, and although she is the reason for Worthy's subsequent serious pursuit of art, he credits his improvement to his fiancée Lela Trevor. Lela, however, merely desires his father's money, and really loves Worthy's friend Dick Moreland.

A 1921 film directed by Herbert Brenon.

After losing money she embezzled, a socialite borrows cash from a foreign "prince" who expects sexual favors in return.

In order to inherit her uncle's fortune, Natalie Judson enters a marriage of convenience to mechanic Brooke Garriott, who has long loved her. Natalie pursues her gay life while Brooke plunges himself into his work and successfully perfects an engine.