Emmy Schønfeld

Grave robbing, torture, possessed nuns, and a satanic Sabbath: Benjamin Christensen's legendary film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. But the film itself is far from serious-- instead it's a witches' brew of the scary, gross, and darkly humorous.

Although Danish-American George Steffenson comes from poor circumstances, he has built a large financial empire, where the money rolls in. But the busy life is wearing on George, and when no medicine helps, he goes to Denmark on vacation, where no one knows him and he may find the true values ​​of life. But it is no easy matter to turn your back on the empire, while sneaky backers are making insidious plans.

Pat and Patachon live in the attic of an old house along with a number of other curious kinds of people. One of the residents is a fortune teller, who tells Patachon that he will inherit a fortune and marry one of the two sweet choir girls who live next door, and whom he happens to be in love with. The two friends don’t think much more of it and instead head off to work, as models for a tailor. They stroll through the streets in sharp suits, in the hopes that the two choir girls will see them and think that they’re wealthy men, who simply live in the run-down house to study the bohemian lifestyle.

There is great confusion in the director's home. The confusion overwhelms the couple when the young housekeeper turns out to be the director's daughter and the older one her mother. It can only go wrong, and it gives reason to send an excited and upset Olga Svendsen onto the field.

A young couple face a crisis when they experience an unexpected, out-of-wedlock pregnancy, touching on themes of unwanted pregnancy and illegal abortion.