Sergei Furmanjuk

Set in the last days of World War II, a small band of Russian soldiers led by intelligence officer Brana Vasilyeva, who is tasked with trafficking the remains of Hitler back to Stalin in Russia. En route, the unit is attacked by German ‘Werewolf’ partisans and picked off one-by-one. Brana leads her surviving comrades in a last stand to ensure their ‘cargo’ doesn’t fall into the hands of those who would see it buried in order to hide the truth forever.

The main character, Helmi, is born into the house of Baron von Strandmann in Old-Town Tallinn, in 1908. The only thing that she knows for sure about her past is that her mother was an Estonian servant girl. Everything else is a discovery during a life that runs the course of a century - a life that has quite a lot of surprises in store for Helmi. In this house she finds happiness and suffering, passion and disappointment. She grows up alongside young Erik and waits for her big love to blossom. But one floor down lives projectionist Julius - a man who is far from indifferent when it comes to Helmi. All of the biggest historical events of the century leave their mark on the house. Its hardwood floors have born soldiers' gruff boots and gentleman's shiny oxfords. Its walls have held the fates of people from far and near, foreigners and locals. Helmi's home becomes a German salon, a revolution museum, and a working class commune. And as freedom comes, real estate crooks start sniffing ...

This is a story of two old folks, who have spent most of their lives behind prison walls. Now, as seventy year old men, they have been granted amnesty. Both men have a passionate desire to change their lives according to certain plans.

Autumn 1944 in Tallinn, Estonia. German forces retreat as the Russian army settles in. Young soldier Aleksei is sent from the frontline to work in a prison filled with Estonian political prisoners.

“Landscape with Many Moons“ is a drama about a middle-aged man who lives a seemingly ordinary life with his wife and children. The truth is, however, that their relationship has reached a dead end but they prefer the illusory decorations of living together to the free fall into emptiness. The man gallivants around between his previous and current relationships without knowing exactly what to do with them. Living on the edge starts to overburden his nervous system and as a result, actual reality and dream-like reality blend together and it becomes ever harder to distinguish between what is real and what is not.