Bruno Delahaye

Toni is a mob movie combined with an urban love story and reflections about one's roots. The protagonist, Toni, is a young man from a small village in the south of Italy who arrives at the station Gare de Lyon in Paris. He never questions the education he receives from his mob family or the rules to which he is always chained. He contacts a man called "The Old Man," a strange character discarded by the family who is of help from time to time. This man is supposed to communicate to Toni all necessary information for him to accomplish his mission. Toni plans to execute it in perfect calm. But things do not go according to plan. He meets Marie, a vulnerable journalist whose best friend has just committed suicide. Two doomed characters enter a mysterious relationship.

Serge is a long distance lorry driver between Morocco andEurope. In Tangier, he tries to reconcile with his former girlfriend, Sarah. She has refused to have anything to do with him since her mother’s death and intends to join her brother in Canada. Serge appeals to Sarah’s protector, a young Arab named Saïd, to allow him to meet up with Sarah, promising in return to smuggle Saïd into Europe...

A poor kid nicknamed Kubrick loves movies and dreams about being an award winning director. One day, he stumbles upon a movie shoot, gets confused with a real movie maker and takes the equipment he needs to shoot his movie.

Objectively, Odette Toulemonde has nothing to be happy about, but is. Balthazar Balsan has everything to be happy about, but isn’t. Odette, awkwardly forty, with a delightful hairdresser son and a daughter bogged down in adolescence, spends her days behind the cosmetic’s counter in a department store and her nights sewing feathers on costumes for Parisian variety shows. She dreams of thanking Balthazar Balsan, her favorite author, to whom – she believes – she owes her optimism. The rich and charming Parisian writer then turns up in her life in an unexpected way.

A pizza delivery guy decides to expand his job and now delivers anything, even a car.

The comedy in this lively film barely conceals its darker, more serious undertones as it chronicles a young Algerian's eye-opening introduction to the joys and travails of being an immigrant in Paris. Alilo has left his home to pick up an important suitcase for his employer. Unfortunately, he has lost the Parisian address. Fortunately, his cousin Mok, emigrated there several years before with his middle-class family before and is able to act as a guide. Mok, an aspiring rap singer, comes from a middle-class family, but chooses to live on his own in the dilapidated deteriorating 18th district, known as 'Moskova.' Mok characterizes the place as a haven for artists and intellectuals, but it is plainly just a Third World slum filled with tightly knit and colorful neighbors. Mok and Alilo have many interesting, some tragedy-tinged adventures over the five days it takes them to find the suitcase.