Simon Orson Jaglom

Cannes, 1999. Alice, an actress, wants to direct an indie picture. Kaz, a talkative (and maybe bogus) deal maker, promises $3 million if she'll use Millie, an aging French star. But, Rick, a big producer, needs Millie for a small part in a fall movie or he loses his star, Tom Hanks. Is Kaz for real? Can Rick sweet-talk Alice and sabotage Kaz to keep Millie from taking that deal? Millie consults with Victor, her ex, about which picture to make, Rick needs money, an ingenue named Blue is discovered, Kaz hits on Victor's new love, and Rick's factotum connects with Blue. Knives go in various backs. Wheels spin. Which deals - and pairings - will be consummated?

The 'M' Word" explores the themes of "menopause, men and menses".

Stinging from the latest of several romantic break-ups, Pandora Isaacs (Tanna Frederick) retreats to the safety of her parents’ ramshackle upstate country house — just 45 minutes from Broadway— where her non-theatrical sister (Julie Davis) and her sister's fiance, a real- estate executive, (Judd Nelson) are also arriving for the weekend and the family's yearly Passover Seder. Family secrets, sibling rivalries, theatrical hysterics and the possibility of true love as rare as a blue bullfrog all emerge.

Maggie Chase, now a passionate theater actress, must follow her mind or heart when she falls for a slick television star.