Phill Niblock

A dangerously disturbed Vietnam veteran struggles with life 15 years after his return home, and slowly falls into insanity from his gritty urban lifestyle.

Two nudes, a man and a woman, interact with each other and a large balloon in a white living room. Performed by Steve Paxton and Becky Arnold. Camerawork by Phill Niblock.

Niblock's portrait of the dancer Ann Danoff set to the soundtrack of a concrète collage by Max Neuhaus.

Children play. First shown normally, then shown in reverse.

Original 16mm footage was filmed on location in China, mostly in the mountains around the city of Luding. At 33:15, the locale switches to the environs of Shanghai, the area around the delta of the Yangtze River. At 38:00, the location is the vicinity of Ningbo, along the East China Sea. Converted to NTSC video using a Rank Cintel scanner.

Another short film by Niblock which consists simply of Hannah Weiner reading from one of her texts, initially in close-up and then over footage of her in her office and then in her armchair..

A compilation of non-narrative films shot in the 1970s and 1980s by Phill Niblock concerned with the movement people make when they do menial tasks.

Unedited concert footage of Arthur Russell playing at Experimental Intermedia Foundation on September 22 and October 27, 1985.

Speaking of Neuhaus, he's the subject of the next film, 'Max', which pairs another of his soundscapes against a succession of processed images and heavily edited, percussion-based performance footage.

Rounding off the collection is 'Raoul', whose subject is the painter Raoul Middleman, captured at work in the studio using time lapse photography while an improvised soundtrack (performed by the filmmaker and subject in collaboration) accompanies the rapid influx of images.

Original 16mm footage was shot on location in central New York within a 100 mile radius of the town of Clinton. Converted to NTSC video using a Rank Cintel scanner.

Dog Track (1969) : For Dogtrack a deeply unsettling, bestiality-themed found text is read aloud with alarming detachment by Barbara Porte while Niblock intercuts between static location shots of urban and natural locations.

Morning begins with performers dressing and preparing for their day to the accompaniment of clashing male and female internal monologues, and subsequently depicts various characters going about their daily business while we listen in on their thoughts and anxieties.

"In 1984, I returned to Brazil, deciding to travel the coast, closest to the ocean, from Salvador, Bahia, to as far north as I could get in the time I had. That turned out to be Natal, 1000km away. I was the sole film crew, carrying the camera bag and tripod, loading the film, reading the light and occasionally applying sun screen. The film from that trip is the material on this DVD. And it was beautiful to see that country and those people.” ⁠—Phill Niblock

A blond woman (Susan Marshall) in white pants and shirt interacts with a moving round object and the camera. Camerawork by Phill Niblock.

Unedited concert footage of Arthur Russell playing at Experimental Intermedia Foundation on September 22 and October 27, 1985.

An irreverent take on Mozart's relations with the three Weber sisters: Louisa, whom he loved, but who didn't love him; Constanza, whom he loved and married; and Sophie, who loved him but whom he didn't love. An anthology of arias from Mozart's operas, in which art comments on life through a cheeky use of back-projection and miming to records.

T H I R is taken from "Ten Hundred Inch Radii" an intermedia performance of film and music (1972-1975). Filmed with a Beaulieu 16 mm around Keene Valley, New York in the Adirondak Mountains in 1971-1972. T H I R original soundtrack recorded in 1972. T H I R new soundtrack "One Large Rose" (T H I R edit 2015) recorded in 2008. Recorded in Christianskirsche (Hamburg, Deutschland), May 16 and 18, 2008. Final mix at Experimental Intermedia October 13, 2008. One Large Rose edited at Experimental Intermedia, February 1, 2015.

Multi-faceted artist Phil Niblock captures a brief moment of an interstellar communication by the Arkestra in their prime. Black turns white in a so-called negative post-process, while Niblock's camera focuses on microscopic details of hands, bodies and instruments. A brilliant tribute to the Sun King by another brilliant supra-planetary sovereign. (Eye of Sound)