Paulo Miklos

The film is based on lyrics from the very famous Brazilian samba composer Adoniran Barbosa, following the aesthetics of his time. Notable facts and characters of his songs takes us through the story, a portrait of São Paulo city in the 50's, a place full of music, love stories and gentrification (poor people getting evicted from their places in order to build great buildings), subjects often explored in Adoniran's work, always with a good touch of humor. This way he became the 'poor people poet'.

In 1986, with nine members, the Titãs recorded the album "Cabeça Dinossauro", one of the most important records in the history of Brazilian rock. In 2012, as a quartet (Paulo Miklos, Branco Mello, Sérgio Britto and Tony Bellotto), the band celebrates 30 years and commemorative tour in a show recorded live at the Circo Voador, Rio de Janeiro) . The DVD was directed by Oscar Rodrigues Alves, one of the directors of the Titãs' documentary "Life Like a Party". The band plays heavy, with the blow it deserves.

In a dog-eat-dog world, Raimundo Nonato has found an alternative way to move ahead: he cooks. No matter what social strata this deceptively innocent young man inhabits, he hones his skills and sharpens his knives—and then he falls in love. Jorge's nimble comic fable provides a smartly constructed gastronomic allegory for ambition and survival.

On a Saturday, unhappy with her marriage, Carol gets ready to leave, her husband usually goes to a soccer match and bring his friends back home for lunch. The dish of the day is feijoada. This film is an adaptation of the short story "Feijoada Completa" by Luis Fernando Verissimo, in turn inspired by the homonymous Chico Buarque' song.

Locked in the same house in quarantine, a couple shares their routine in apparent tranquility. The discovery of a secret, however, will make living together a nightmare.

Western book writer, Eugenio is going through a difficult phase. He is famous for the novels starring the Jesus Kid, but his sales have been going from bad to worse for some time. The light at the end of the tunnel seems to be a film director's invitation: he wants Eugenio to write a film script. However, to write this script, Eugênio must spend three months isolated in a luxury hotel, without being able to go out or have contact with the world he knows. Based on this premise, Mutarelli builds a scathing critique of the publishing market and the film market — where he has been circulating for years. Bringing to Eugênio much of his own personality, the author shows how the commercial part of culture can be perverse to those who work in it.

After the death of what Gracinha - a ballerina - thought to be the soul of art, she faces a dilemma: can she carry on doing what she's always done, or should she start a search for something that could set her heart free?

Two businessmen hire a hitman to kill their third partner and are then blackmailed by the hitman as he takes over their company.