Esther Velasco

Inspector Amaia Salazar confronts the origins of her nightmares as she unfolds the darkest secrets of the Baztan valley. Part 3 in the Baztan Trilogy.

A young woman from a traditional family learns she's intersex, sparking a journey of self-discovery, gender identity and love found in unexpected places.

Rocío, is in love with Mario, a free rider with a lot of face that, to top it all, is partner of the business of her father, Domingo with whom she maintains incestuous relations. When Domingo passes away, both Mario and Rocío's mother have to put to the front of the business, finishing with the inheritance that could receive Rocío. In the midst of her frustration, a young business worker, secretly in love with Rocío, will try to have the legacy of her father end up in the hands of his rightful heiress.

Amaya is a modern girl, independent, who runs an advertising gency. The business is doing well and is enmaorada of her boyfriend, a lawyer of lost causes somewhat confused. Its stable and happy life is shattered with the appearance of a famous movie star, party animal and womanizer.

A middle-aged widower, who lives surrounded by memories of his marriage, receives a letter from the City Council informing him that his wife's remains are going to be moved to the communal ossuary.

Alex is a young woman who resorts to arms and drug trafficking to support her parents and younger brother in 1990s Basque Country. Alex has her life further complicated by her unrequited love for Javi, a member of her criminal gang.

Featuring plenty of two-fisted action with romantic and political overtones, this intelligent thriller from Spanish director Daniel Calparsoro is set in the Basque region of northernmost Spain and centers on the clash between two Basque terrorists whose relationship becomes strained when the female starts refusing to kill their enemies. Unfortunately, for someone like her, leaving terrorism can be as dangerous as remaining in the fray.

In Madrid, Azu's husband Filipe is smug and boorish, but it's his money she slips to family members constantly in need of cash and that she uses to buy gifts for her lover, Pablo. Things start to fall apart when Pablo wants to leave her and when Filipe wants to evict Azu's cousin from a butcher shop he rents. Azu hatches a plan that relies on her sister, her cousin the butcher, and his mentally-challenged delivery man. When things start to go wrong, can Azu make them right?