Matilde Landeta

The disaffected wife of a failed civil servant, is thrilled to re-encounter Octavio, a former lover who is now a union activist on the run from a corrupt politician. Hoping to help him, she descends into the Mexican underworld, where she finds a purpose-and a thrill-missing from her married life.

A young journalist asks an old artist about the portrait of a naked Indian woman that he has in his study. The artist tells the story of Maria Candelaria, a young Indian woman who was rejected by her own people for being the daughter of a prostitute. She is protected by a young Indian man, Lorenzo Rafael, who has fallen in love with her.

Fu Man Chu must find a murderer, the only clue he has is a series of wax heads that have appeared.

A father imposes conditions on his son in order to inherit his fortune, unaware of what true love is capable of. The son accepts his father's terms and faces a series of challenges that ultimately lead him to become the heir.

A woman, an illusion. Matilde Landeta makes come true, at her seventy six years of age, what she has waited and longed for for 40 years. In this documentary we accompany her, from day one, on her adventure.

The story focuses in on three young boys who, arrested by the authorities, await sentencing in Mexico City's Juvenile Court. One boy has killed his stepfather to protect his mother; the second boy has been goaded into blinding his chief tormentor; and the third resorts to stealing to support his family.

When three orphans that were raised together and love like brothers knows about plans to be separated and work outside, they escape and live in the street. They sell lottery and newspapers. When older, they became artists.

Matilde Landeta entered the flourishing Mexican film industry in the 1930s, working her way up from script girl to direct 110 shorts and, in the late 40s, to produce and direct three features, including LA NEGRA ANGUSTIAS. In this engrossing documentary filmed in Mexico City, a vibrant Landeta, now in her 70s, recalls those years. Interviews with Mexican directors Marcela Fernandez-Violante and Maria Novaro enrich this illuminating tribute.

In Mexico City, two sisters live radically different lives: Maria, who—along with her supportive group of fellow sex workers—must deal with unscrupulous, abusive clients and her exploitative pimp, Rudy, and Elena, a society woman trapped in a marriage of convenience, who falls prey to Rudy’s fortune-seeking seduction.

Lieutenant Palomino of the police must recover some important documents containing the formula for the antidote to a serious disease. With the help of the magician Fu-Man-Chu, they embark on an adventure filled with suspense, intrigue, and deception.

When her father dies, a young Afro-Mexican woman joins the Revolution, the way he was planning to do, and becomes the leader of a Zapatista battalion.

A rootless wilderness-dude in the Venezuelan outback gets caught up in some human dramas despite himself.

The Dressel family owns a prosperous hardware store in the city. The business is managed by Mrs. Dressel, a strict widow who has two sons: Federico and Rodolfo. Federico falls in love with the singer Magdalena and marries her against Frau Dressel’s wishes, as she wants her heir to marry a German woman. The young couple must face constant harassment from Frau Dressel and an accusation of adultery.

A tragic romance follows Mexican poet Manuel Acuña's passionate life and his deep love for Rosario de la Peña, a woman favored by Emperor Maximilian's court, leading to heartbreak in 19th century Mexico.

The film features Fernandez himself as a character named Rogellio Torres. The lion's share of the footage, however, is devoted to the romance between Esperanza, granddaughter of a common laborer, and Jose Luis Castro, the firebrand son of a landowner. Joining a revolutionary movements, Castro is disowned by his father, but Esperanza remains loyally by his side. Later on, Castro's father is killed by outlaws; in seeking vengeance, he sacrifices his own life, while Esperanza carries on his revolutionary work with their young son in tow.

A young woman is brought before a prosecutor after stealing food. She is defended by Julio, a university professor who decides to exhibit her as an example in his class on the theory of theft. Then he hires her as a housemaid. Her face and charms won’t only save her family from serious quandaries; they will also inspire the professor’s love.

Sonora Mexico, 1880s: Seri Indian tribe splits into two factions after a white woman comes to live in their settlement.

Before marrying María Eugenia, landowner Carlos are away to visit her godmother to break the promise to marry his daughter. The godmother is dying, Carlos quiets and everything takes an unexpected course.