María Soldi

A heat wave strikes Buenos Aires and Juana has to stay while everyone is on vacation; for her everything seems repetitive and dull, and a pop song about the sea follows her everywhere.

Three rooms, three different moments of a relationship.

Arturo, the successful owner of an art gallery, and Renzo, a talented but decadent painter, are old friends who cannot stop bickering. One day, Arturo comes up with a solution to all their problems, but the plan they concoct turns out to be crazier and riskier than they originally expected.

Fleeing homophobic attacks, Nino moves to a rural house amidst a forest haunted by Almamula, a monster that takes those who commit carnal sins. In a world of whispers, unspoken desires and prayers, Nino’s curiosity and impulses rise to the surface.

Set in a desolate world, Maria (70s) clings to the edges of her life, cocooned in denial and desperation. When an enigmatic, younger woman named Kat arrives, Maria is forced to confront her isolated existence. Maria’s sheep mysteriously dies, and her cryptic exchanges with Kat become increasingly unnerving, creating tangible friction between the two. The boundaries between reality and illusion begin to blur as Kat challenges Maria's deeply held beliefs, forcing her to confront the harsh reality she's been avoiding. Their dystopian environment becomes the stage for a psychological battle, where Maria must navigate this treacherous terrain of secrets, lies, and distorted bonds.

Six friends return to the big farmhouse in the middle of a subtropical landscape where their best friend Miguel spent his last days. While the sound of his recordings fills the house and gardens, they pack the things he left behind. Brzezicki's directorial début is a haunting sensorial journey through memories, images and sounds.