María Soldi

Arturo, the successful owner of an art gallery, and Renzo, a talented but decadent painter, are old friends who cannot stop bickering. One day, Arturo comes up with a solution to all their problems, but the plan they concoct turns out to be crazier and riskier than they originally expected.

Fleeing homophobic attacks, Nino moves to a rural house amidst a forest haunted by Almamula, a monster that takes those who commit carnal sins. In a world of whispers, unspoken desires and prayers, Nino’s curiosity and impulses rise to the surface.

This comedy of errors revolves around a hapless 30-year-old named Arturo. His penchant for indiscretions is as impossible to overlook as the finesse with which the film glides from March 2020 to the preceding decade and back again.

A heat wave strikes Buenos Aires and Juana has to stay while everyone is on vacation; for her everything seems repetitive and dull, and a pop song about the sea follows her everywhere.

In the midst of an inclement summer, Tavo works as a pool in a country town in the Buenos Aires suburbs, forming a silent part of a landscape and a community that keeps him at bay for class reasons.

Six friends return to the big farmhouse in the middle of a subtropical landscape where their best friend Miguel spent his last days. While the sound of his recordings fills the house and gardens, they pack the things he left behind. Brzezicki's directorial début is a haunting sensorial journey through memories, images and sounds.

An unconventional portrayal of several young women witnessed in immersive yet indeterminate states: within their bodies, among their friends and lovers, and ultimately in a culture of economic and spiritual recession. Obliquely inspired by Bela Bartok’s sole opera, Bluebeard’s Castle.

Three rooms, three different moments of a relationship.

Two friends travel to sing at a wedding and reencounter themselves with old stories and new problems.

Julia, wife of a wealthy lord living near the Iguazu Falls, has nightmares for several days. The lord builds a fence to ward off the indigenous people, the Guarani tribe, but Julia is still anxious about her son Manuel’s safety. One day Manuel suddenly disappears, and when searching for him, Julia runs into her maid, Kerana, who was believed to have died one year before, under the falls.

Clara is worried to maintain the gathering with the women of her family friendly, but everything goes around the same feeling: asking forgiveness for being sad.

Claudia shows up at a bar to meet Luis, a doctor who contacted her through a dating app. Claudia doesn't suspect what fate has in store for her. A kidnapping that ends with an inevitable and unpredictable death. A suspense story with surprising twists until the last second, narrated in a sequence shot without cuts.

It’s 1955. Rosa a skillful seamstress becomes the only witness of a murder. In a time of political tension in Argentina, the crime’s investigation will trigger the final resolution of the conflict and sealed Rosa’s destiny for good. A typical crime film with the exception that the detective is a housewife.

At a remote gas station, Clara and her son wait for his father to pick him up. The wait fills the encounter with tension and reveals a secret that Clara is hiding.

Set in a desolate world, Maria (70s) clings to the edges of her life, cocooned in denial and desperation. When an enigmatic, younger woman named Kat arrives, Maria is forced to confront her isolated existence. Maria’s sheep mysteriously dies, and her cryptic exchanges with Kat become increasingly unnerving, creating tangible friction between the two. The boundaries between reality and illusion begin to blur as Kat challenges Maria's deeply held beliefs, forcing her to confront the harsh reality she's been avoiding. Their dystopian environment becomes the stage for a psychological battle, where Maria must navigate this treacherous terrain of secrets, lies, and distorted bonds.

This drama based on a true story follows the Puccios, a criminal family who kidnaps wealthy people and holds them hostage in their home.