Pau Riba

MORIR DE DIA writes history from the Transition to the present day through one of its hidden faces: heroin. The stories of characters like Pau Malvido, Mercè Pastor, Pepe Sales or Juanjo Voltes are intertwined to draw the challenges of a chosen life, marked by addiction, from the entry of drugs in Barcelona after Franco's death to the present.

Chusa shares a flat in central Madrid with her cousin Jaime and her lover Alberto. The group makes ends meet by smuggling and selling drugs from Morocco. They take in a naive young woman, Elena, and decide to include her in their next scheme although this will prove complicated.

In February 1939, the paths of those fleeing Francoist Spain on one side and the advancing Nazis on the other crossed along the Pyrenees. Anarchists and socialists, Jews and partisans, in an exodus with no safe destination. Among them Walter Benjamin, one of the greatest European intellectuals of the 20th century.

Adela is a single mother, hardworking and humble. While she works, her mother takes care of her son. Immersed in her obligations that don't allow her to think about her, she will be forced to open her eyes and face a new reality when, on an early morning, her mother runs away from home and begins to show the first signs of dementia.

While waiting to get started on the production of his feature Liberxina 90 (1970), Carlos Duran shot this short (with very expressive support by several Escuela de Barcelona professors): a grimly colourful satire on modern society as such, and on its fascist Spanish variety in particular. "The intrusion into the private life of a human being, of the distinct tendencies that exist in the society we live in, until they fall into chaos." Carlos Durán