Sérgio Santeiro

Documentary about UFF on the occasion of the 15th anniversary of its foundation.

What happens when two friends meet.

"Life and work of the Maranhense poet Sousândrade (1833-1902), illustrated with engravings on Brazilian history, from the discovery to the proclamation of the Republic."

A mad scientist attempts to bring an ancient Egyptian mummy back to life.

Parable about the 1964 military coup in Brazil, where three characters unite through the exercise of the word.

Documentary about the painter Ismael Nery, which intersperses daily street scenes with paintings by the artist, under the narration of his 1931 Post-Essencialista poem.

Jorge, an ambitious journalist, marries into money and betrays colleagues to become a powerful politician during political turmoil in 1946 Brazil.

"A view of São Paulo's rural architecture, from the remains of a sugar mill from the 1500s to a farm at the height of the coffee cycle in 1822. Documentary illustrating Morada Paulista, book by Luis Saia". (ACPJ/CCM)

The tensions experienced by three different people during the military dictatorship in Brazil: a politician, a revolutionary and a common citizen.

It accompanies the manufacture of soluble coffee.

Gledson is a lonely worker who left his hometown with the dream of becoming an actor in Rio de Janeiro. Tormented by vague memories of his past, he sees his life change when he begins to write a book about Teresa, a prostitute who goes through death expecting a child and ends up on a fantastic island. When a friend of Gledson decides to turn his book into a film, reality and fiction mix: while Teresa has to decide what to do with the child born on the island and the writer deals with the challenge of becoming a creator, the film changes when the director confronts the experience of her own motherhood.

Set of carioca sketches.

A short film that summarizes, in three acts, a portrait of Brazil: the constitution, the presidency, and capital – This is Brazil. The contradictions of a country divided between dictatorship and democracy are the focus of the production, which uses fiction to portray Brazil in the early 1980s. Divided into three acts, the short film analyzes the importance of the Brazilian Constitution, the power of capital, and the role of the poet in ambiguous times.

In the face of images that are transfigured, inside a mushroom of an explosion already begun, the narration of a rude Latin American poem tells occurrences and impressions of the sixties, seventies and eighties in Brazil and Latin America, with some memory failures. The film was made from the technique of direct animation in the film.

Paratodos, speech to the University Council of the Fluminense Federal University in May 2007 against the privatization of Unitevê - university channel of Niterói and the dismantling of the University's audiovisual by the Rectory.

Musical documentary about Alfredinho's Bip Bip, featuring Cristina Buarque and Elton Medeiros.

The charming soul of the streets.

Criticism of renowned filmmakers to the boycott of the 1976 Law that regulated the exhibition of short films in commercial movie theaters in Brazil. The success of the result of this Law fostered the production of films in this category that were very well received by the public. Olho no Olho is a denunciation of the colonialist power that strangles the national audiovisual media and aims to reformat the world in its image.