Jadwiga Colonna-Walewska

Warsaw, September 1944. On the eastern bank of the Vistula, a group of civilians live in a house cut off from the fighting across the river. Tadeusz, a young poet who has lost both legs, struggles with his helplessness as the Warsaw Uprising continues. His younger brother Witek dreams of crossing the river to join the fight, while Tadeusz grows closer to Katarzyna. As soldiers, refugees and resistance fighters pass through the house, its inhabitants confront the devastation of war and the uncertain future of a country caught between two worlds.

A student who missed his final exam because of illness arrives at his professor's house to beg to be allowed to take it.

A moral conflict between a young assistant and an associate professor arises during a university linguistics camp.

In what appears to be an inexplicable incident, a man drives up to a resort hotel in midwinter, throws away his car keys, enters, and proceeds to agitate everyone he meets with his urgency -- a message he is somehow unable to communicate. Then he leaves, disappearing in the snow. Later, the people he appeared to have upset have gathered to search for him and find him frostbitten, but alive. Visiting him at the sanatorium to which he has been taken, they gradually discover what was really happening.

Film chronicles a decade in the life of a young physics student whose absolute faith in the primacy of rationality and science is shaken by tragedy and affairs of the heart.

A film about the life and activities of the Polish revolutionary Ludwik Waryński. In his memoirs, Ludwik returns to his student years in St. Petersburg, to Warsaw, to Krakow, where he was arrested and put on trial. After the end of the process in Krakow, Waryński leaves for Geneva, where he meets with Russian revolutionaries. In 1881, he returned to his homeland and created the first party of workers in Poland...

Bearing traces of the old Anton Chekhov play The Wedding, The Contract is set during an "arranged" ceremony. The bride and groom barely know each other, but this matters not at all to their tradition-bound families. At the last minute, the bride balks. Only slightly nonplused, the groom's father, a status-seeking doctor, decides to go ahead with the expensive reception anyway. Polish director Krzysz Zanussi uses this scenario to stick it to capitalist corruption, and to society's destruction of the individual spirit. Leslie Caron, the one recognizable member of the cast, is outstanding as a wealthy, over-the-hill ballerina who happens to be a kleptomaniac.

Jan is a young assistant professor in chemistry and a workaholic, Anna is an unsuccessful science writer who turns to Jan for advice and human compassion, but Jan, absorbed with his career, remains immune to Anna's clumsy efforts to pierce his defenses.