Paul Clerget

The mountain guide Jakob is a controversial figure. His supposed father dies and leaves behind a great heritage to the people. In the town they consider Jakob a bastard, because his parents were not married, which means that without a testament, the lands in which he lives do not belong to him. But the testament indicates that the inheritance corresponds him under a single condition, he must be the first person to climb the east face of Monte Verità. French version of Die weisse majestat, shot the year before in German with the same script in the Eiger/Jungfrau region but with different actors and by a different director.

On his wedding night with Hilda Bergmann, the daughter of a swedish chemist, the young and rich american Willy Keanton is stabbed by an unidentified masked man. He kidnaps the young woman, who is found later on by the count Robert d'Arbel. The detective Jacques Miral, nicknamed « the pointed tower's ferret » is put in charge of the case. Soon, he discovers that an international bandit, Méphisto, seeks to seize the formula of a process against asphyxiating gas, invented by professor Bergmann. The struggle is tough between Miral and the uncatchable Méphisto. Monique Aubray, Keanton's secretary and engaged to the detective, the Nostradamus stallholders and the « mastiff of Bordeaux », and the famous novelist Fortuné Bidon are also involved in the case...

Remember when Julie Andrews in The Sound of Music says "Every time God closes a door, He opens a window?" Well, this is basically the same philosophy followed by a sage authority named Professor Azais. Though he is never seen in the film, Azais's influences dictates every move made by Le Baron Wurtz (Max Dearly), a private tutor. Though he suffers quite a few setbacks, Wurtz presses on, armed by the Azaiz philosophy that every time something goes wrong in one part of the world, it is balanced by something going right elsewhere. This "law of compensations" pays off in big laughs for the audience, and in a happy-ever-after for Wurtz. Azais was based on a play by Georges Berr and Rene Verneuil.

A rich banker is actually a crook. His mistress, an alien, wants to become French and the only way is to marry a Frenchman.

Lagardère protects Aurore, the granddaughter of the Duke of Nevers whose deceitful Philippe de Gonzague covets the inheritance.

Lucie turns the house of chic dandy Gaston upside down.

The spread of yellow journalism in a small town almost destroys the lives of several people and threatens the livelihood of the hamlet itself.

A thief known as The Hawk has stolen the treasured Garter from the British Museum. One of the men pursuing the thief is mistakenly thought to be The Hawk himself, and so must seek his quarry while himself being hunted.