Lorenzo Cioffi

Bahram, a censored director, embarks on a Vespa trip with producer Sadaf to clandestinely screen his film in Iran, challenging the system.

Jasmine is 40 and has everything she ever wanted: a devoted husband, three loving sons, and a thriving hair salon just south of Naples. But after her father’s death, she experiences a recurring dream in which a young girl runs into her arms, offering Jasmine a new sense of fulfilment and completeness she can’t ignore. She decides to follow her dream of a daughter and dives headfirst into the challenging world of international adoption – risking her marriage, her sons’ well-being, and her own moral compass along the way. The entire family is in crisis, until they finally realize that the only way out is together.

A whirlwind of activity sweeps us into the daily routine at the Archaeological Museum of Naples.

After being arrested and having his medical practice shut down, an Iranian doctor loses faith in the future and resolves to end his life - but one final day among his family begins to unsettle his decision.

How to survive the city of tormorrow? An Italian reporter in Beijing, Alessandro lives with his child and wife, alienated by the megalopolis. As he experiences the works of emerging local artists, Alessandro discovers unexpected views on the city, enhancing his own. Myjing is a storytelling in progress, a diary of this experience offering a unique in-depth perspective on today’s China.

A Tunisian musician, his Italian wife and their marital crisis. A journey to his home village, for the first time with his children, instinctively in search of his origins and identity. La Vie de Marzouk is an intimate portrait of an attempt at integration, which can only be achieved through love.

The records of the Naples State Archives conceal the lives of women whose voices reach us from the past like a siren’s song. Neapolitan director Rosa Maietta recounts the stories of these long-forgotten women through court rulings, expert reports, and unearthed memorabilia: Linda, who—pregnant with the child of a man she fell in love with while her husband was at the front—chooses to have an abortion to avoid disgrace; Emma, a subversive worker whose opposition to fascism led to exile and imprisonment; Giovannina, the victim of a possessive and violent boyfriend. The film literally plunges into the files preserved in the Naples State Archives, weaving together a narrative that finally gives these women—and their stories—a voice they were never granted.

In this poetic portrayal of Luigi Ghirri (1943–1992), a master of contemporary photography, the director gives voice and, in particular the image, to the protagonist. The photographer takes the audience on a tour of the outskirts of daily life as seen from the corner of his eye, the area in between what is artificial and authentic or grand and small – the meso-scale.