Isadora Neves Marques

A story of a polyamorous, non-binary relationship struggling to survive an epidemic of genetically modified killer mosquitos.

A soul waits to be reincarnated while reflecting back on her past life as a nun, who worked at the Vatican Astronomical Observatory in early-20th century. There, she took part in the “Carte du Ciel” — an ambitious international project to map the night sky, earning the early title of “computer” as a result of processing repetitive calculations. Disillusioned with her previous existence, she considers becoming a coder in her next life, amidst the wave of economic optimism awaiting her reincarnation in 1990s Portugal. Shot on 16mm film and smartphone, "Oh Be a Fine Girl Kiss Me" blends historical fiction and autobiography in a meditation on life’s choices and constraints, as well as on the systems and categories that shaped modernity.

Aimed at generating a revolution in perceptual habits, Semente Exterminadora approaches Indigenous knowledge as a radical means of reconceiving the relationship between humans and their environment in the twenty-first century.

Engaging in strategies of worldbuilding, YWY, Visions combines sci-fi elements with Amerindian cosmologies to contest a linear claim on the future, offering instead a clash of many worlds and visions in between Indigenous and white perspectives. In doing so, it explores how artistic expressions might both acknowledge historical legacies and present visions of futures beyond dystopia.

The film offers a glimpse into the life of five vampires as they travel through space, carrying life to a faraway Earth-like planet. After all, in space it is always night and, having eternity at their disposal, vampires are the ideal candidates to roam the stars. In their solitude, away from societal constraints and expectations, this family of vampires recalls and reimagines their past lives, guiding the visitor through an open-ended narrative about the role of fiction in our lives, and in particular in lives marked by gender dysphoria or transgender experiences. (João Mourão & Luís Silva)

Mirene and André are a heterosexual couple struggling with infertility issues. Carl and Vicente are a homosexual couple undergoing an experimental procedure in order to have a biological child.

Lourdes and Lana met telepathically using “sensory pills”, a technology that allows access to other people’s sensations from a distance. After months of relationship, Lourdes decides to visit the country house of her parents, Vicente and Carl, and introduce them to her girlfriend.