Lori Felker

As various members of the Frank family come together for a college graduation party in Chicago, they find their bonds being tested -- and strengthened -- in surprising ways.

Ficiton, reality, the private and the performed overlap on a routine but emotional day at a medical centre.

Luis Buñuel’s observation – “You can find all of Shakespeare and de Sade in the lives of insects” – was the inspiration for this experimental horror movie, in which human actors wordlessly enact the life-cycles of wasps and bees. Its purpose is to depict with emotion, humor and unnerving specificity an alternative society that really exists and has nothing to do with human beings. A highly stylized depiction of nature in all her deceitful glory.

A distorted portrait of an artist that explores storytelling, ego, delusion, conviction and memory. VON LMO is a musician/artist and self-proclaimed alien-hybrid who was a part of the late 70s New York No Wave music scene. Between trips to his home planet of Strazar and multi-dimensional travel, VON has also spent some very real time in prison and on the streets of Earth. Challenged with translating his Future Language for audiences across the galaxy, Lori, our filmmaker and VON LMO fan, gets sucked into VON's orbit and finds herself lost in his story.

Bild Quilt is a interesting little DVD project from the young avant-garde filmmaker Lori Felker that blurs the lines between harsh noise and psychedelia, experimental film, and digital collage art. Bild means “image” in German, and the crux of this project was to create a “virtual quilt” of original short films from Lori that are set to new peices of music that she commissioned from a variety of underground artists including Cotton Museum, Carlos Giffoni, Bradley Heiple, Intro to Pterodactyl, Leslie Keffer, Dave Kuzy, Jim Lingo, Mesaplex, Irene Moon, Jeffrey Schreckengost, Mike Shiftlet, Adam Strohm, Torus, Weasel Walter, C. Spencer Yeh, and Scott Young, with the only stipulation being that each piece of music need be exactly two minutes in length.

On the trail of Tall Tales, on a tour of an American treasure, on the path of an area once inhabited by people we don’t know, people we’ve never met, on a land complete with gift shops, parking lots, and sky rides, at the foot of a tree that predates and outlasts all of this, we now insert ourselves into a fog of layers.

You never know when someone is miscarrying; it could be happening right next to you.

A correspondence film: rolls of high contrast black and white film were sent back and forth in the mail over the course of a year until the film began to reveal itself as a science non-fiction fairy tale, a speculative quest – circling and searching, falling and landing, entering and exiting – to recapture elisions in light caught within and between seasons, states, planes and worlds.