Mark Soldinger

A look at Alain Robert, dubbed the Human Spider, who scales some of the world's tallest buildings without the aid of ropes or safety equipment, despite suffering with epilepsy.

This documentary follows the concept of the groundbreaking 1974 movie Emmanuelle, through to its release, its cultural impact, and the large amount of sequels and impersonations.

In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.

Documentary following the story of teenager Jamie Campbell, who wants to be a drag queen. But will he be accepted by his family and his peers?

This documentary covers the acid house, rave and club culture revolution in the UK and of course the chemical Methylenedioxymethamphetamine or ecstasy. This era inspired the film 24 Hour Party people and sheds light on the forgotten counter culture movement.

A documentary which focuses on steroid abuse and focuses primarily on Gregg Valentino, a bodybuilder whose claim to fame is having the largest arms in the world.

Discovered in Africa in the Middle Ages, coffee spread around the globe, taking on many different forms ranging from murky concoction to artisan brew.

Documentary in which singer Alesha Dixon, concerned about the increasing pressure on women to conform to an ideal body type, investigates the practice of airbrushing and retouching that has become a staple of magazine photos. Keen to discover whether these images simply celebrate the female form or whether they make harmful, unrealistic demands on women and society, her journey sees her sitting in on 18-year-old Ellie's boob job, hearing fashion mag insider Liz Jones and celeb mate Cheryl Cole complain about the beauty industry and appearing on a front cover with her own body beautiful untouched.