Viktor Zozulin

The film consists of three independent parts: "Workmate", "Déjà vu" and "Operation Y". The plot follows the adventures of Shurik, the naive and nerdy Soviet student who often gets into ludicrous situations but always finds a way out very neatly.

The heroes of the film are students of a pedagogical university, those who, after a year or two, have to carry knowledge to schoolchildren, "to sow the rational, good, eternal." In the meantime, student practice. True, the practice is not quite ordinary, because for the first time students leave far from the walls of their own university, for the first time they meet with students in the classroom not in the presence of their teachers, those with whom life encounters them daily at the institute, but with those who have been working for more than a year at school.

Students Galya and Sergey want to marry. In the civil registry, they are given a month's time, as stipulated by law. The young people quarrel, reconcile and quarrel again. On the last day of the probation period, the couple come to the registry office to pick up their applications, and leave it in the company of satisfied friends and indignant parents, having become husband and wife.

The Battle of Moscow is a 1985 Soviet multi-part war narrative, presenting a dramatized account of the 1941 Battle of Moscow and the events preceding it. The battle was the first major defeat of German Wehrmacht in the Second World War.

A story of court intrigues, love, and betrayal. A vain king is turned into a stag and only true love can save him

A day in the life of the factory director Druyanov, who transformed a once backward enterprise into one of the leading companies in the industry.

The authors, like Isaac Babel, rejected the depiction of battles, the simplification, and varnishing of reality, instead conveying the dramatic tension of the post-revolutionary years: the explosion of awakened human energy and the tragic collisions of destinies.

Based on the eponymous novel by A.F. Pisemsky. A play about the all-powerful influence of money and the morals of the bureaucratic world that destroy everything honest, good, and humane.