Jan Coster

A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange for labor, but when a search visits the town, she learns that their support has a price.

The girlfriend Klara has recently fallen in love and wants nothing more than to hang out with her boyfriend. The mother-of-two Anna clocks how long it takes for her husband to cook baby formula. The ex-wife Vera can't let go of her ex-husband. The feature-film debuting Katja Wik presents a squib right on the money about women's tendency to, both consciously and unconsciously, limit themselves in their close relationships of two. Each frame conveys the film's theme of power manipulation and Katja Wik's neologism "victim-mentality rhetoric" (offerrollsretorik) is used by all parties as an effective weapon. Without stagnating in bitterness, The Ex-wife serves as a funhouse mirror reflecting this disturbing trait, which most of us can recognize, but which few dare to acknowledge

A gripping and intense thriller about honour, loyalty, and the courage to fight for what you believe.

Johan is a two-fisted Gothenburg cop who finds himself in a shoot-out with jewel robbers. After the smoke has cleared, one robber, shot by his accomplice, and an innocent bystander, are dead. Three witnesses, including Helen, identify thug extraordinaire Leo Gaut as being the dead crook's trigger-happy colleague. Gaut soon threatens the three witnesses, and only Johan, the badge-wearing hero, can save them.

A dead, seven-year-old girl is found in a fisherman's net.

Johan is a two-fisted Gothenburg cop who finds himself in a shoot-out with jewel robbers. After the smoke has cleared, one robber, shot by his accomplice, and an innocent bystander, are dead. Three witnesses, including Helen, identify thug extraordinaire Leo Gaut as being the dead crook's trigger-happy colleague. Gaut soon threatens the three witnesses, and only Johan, the badge-wearing hero, can save them.

15-year-old Ida lives with her mother in Rossö in the Strömstad archipelago. Over the course of three stormy days, her life is turned upside down. She has a strained relationship with her mother, a non-existent relationship with her father and is let down by her best friend. —Maria Eriksson

A disturbed woman and a violent lunatic walk the same path in this thriller from Swedish director Kristian Petri. Monia is a businesswoman who has been hired to work for a large corporation based in Gothenburg. One evening, while having drinks with her colleagues, Monia steps outside for some air and she happens upon a man who has been brutally stabbed by a serial killer on the loose. Monia, who feels a curious emotional distance from the world around her, isn't sure what to make of this incident at first, but she can't get the violent image out of her mind, and over the next several days she keeps stumbling upon victims of the killer's handiwork. No one finds any of this remarkable besides her friend Frank, but in time she begins crossing paths with a curious man who seems to appear at the same crimes scenes she observes.