Georgi Traugot

The movie has reveal the last days of the famous and popular Russian poet - Alexander Pushkin. After the poet faced scandalous rumors that his wife Natalya Pushkina had embarked a love affair, Pushkin then challenged her brother in law to a duel!

A fantastic show with chases and alien spies and famous Soviet pop artists.

A rich, smart, charming philanthropist from Saint-Petersburg Andrei Rokshin is found dead at home. The culprit is a woman wearing a black veil. Investigator Sinev takes the case.

Irina Evteeva’s debut quickly became a kind of manifesto for the one-room experimental studio: it defines classification by interweaving animation, appropriated footage, feature and documentary to form a unique whole, a film that rushes backwards into the future, thereby re-inventing Futurism. Mayakovskiy is the star; his occasional presence holds together a film driven by the sound, the beat, of his poetry. Evteeva develops a dramatic structure of flaring, fading, being from light: violin strings become rays, quivering dull yellow spots, pictures. The plot assails the material from which it derives energy from material. History, growling and roaring, finds its form.

Teleplay based on same-titled drama by M.Yu. Lermontov.

In the center of the plot is a senior investigator named Masha Shvetsova and her male colleagues. The plot is the most vital, but, like in “Streets of Broken Lanterns,” it is seasoned with a fair amount of humor - otherwise, how can the audience (and the heroes) endure countless morgues, identifications and other “cute” charms of the investigative routine?