Petr Lepša

The story of a close-knit group of young kids in Nazi Germany who listen to banned swing music from the US. Soon dancing and fun leads to more difficult choices as the Nazis begin tightening the grip on Germany. Each member of the group is forced to face some tough choices about right, wrong, and survival.

After a colleague is murdered, insurance worker Kafka gets embroiled in an underground group who are attempting to thwart a secret organization that controls the major events in society.

Although the title would suggest it, this film has nothing to do with fairy tales at all: it takes place in the North Moravian border region just after the end of the Second War. It presents a fragmented mosaic of the fates of many people, returnees and immigrants, who tried to start a new life and believed in a happier tomorrow. Although the director Antonín Kachlík tried to give the story a certain credibility, he submits to the ideological demands of the 1980s. North Moravian borderlands in the first post-war year: a disparate and fragmented sequence of episodes depicts the individual fates of returnees and new immigrants. Another title that perhaps did not even need to be created.

A filmed version of Tchaikovsky's opera. Onegin visits a friend, his fiancee and her sister Tatiana, who believes Onegin is her fated love. She writes a note telling him so, but he rejects her. Years later he returns, finding her married, but now he's smitten with her.

An image and music collage - a cinema concert - guided by a young sound engineer David, for whom the exhibition on E. F. Burian is an incentive to take more interest in this avant-garde artist. The film interweaves two strands - documentary and factual, drawing on contemporary material and archival images - and fictional with the story of David the sound engineer.

From time to time, we have produced an admirable film about the virtues of the domestic army, which raised the right men in ideal conditions - in this case, we meet the enthusiastic drill sergeants in green, who selflessly rehearse a demanding Spartakiad composition... So, two aspects important to the regime have merged into one. But even this did not change the incredulous, spasmodically optimistic yawn that perhaps even those who had set all this up could not believe. The film uses documentary footage of the soldiers' Spartakiada performance in 1980.

Little Péťa visits his grandfather in the Krkonoše Mountains, where a swarm of bees settles on a tree. When Péťa disturbs it, the entire swarm attacks him, leaving him in a deep coma. Ordinary treatments fail, so Dr. Vrba insists on a beekeeper’s blood transfusion. Grandpa’s blood type doesn’t match, prompting a frantic search—ambulances, authorities, even foreign donors—to find a suitable beekeeper. After multiple transfusions from various volunteers, Péťa shows signs of recovery. With dawn breaking, hope returns as he awakens.

A story of a little girl Verka and her life during the beginning of WWII. Based on Vera Sládková novels.