Anne Waldman

Set in a nightmarish Bardo, a place between death and rebirth, a tormented writer faces down demons of his own making. Forced to confront the darkest moment in his life, he mines fractured and repressed memories for a way out. A woman is at the center of all the writer’s afterlife encounters. She is the subject of his life’s greatest regret, and she materializes everywhere in this Otherworld. The writer cannot detach any thoughts of his life from her.

The confluence of words and movement propels this multi-layered collaboration by Atlas, choreographer Douglas Dunn, and poets Anne Waldman and Reed Bye. Dunn's athletic choreography is performed to the rhythms, cadences, and associative meanings of the poets' "cascade of words," which function as music. Atlas introduces narrative references, ironically staging the dance in unexpected locations, including domestic interiors and vehicles. In a self-referential deconstruction that punctures the theatrical illusion, the poets are seen reading their texts and interacting as self-conscious performers within the dance. Atlas and his collaborators intersect the language of words with the language of the body.

Part documentary, part concert film, part fever dream, this film captures the troubled spirit of America in 1975 and the joyous music that Dylan performed during the fall of that year.

Step outside yourself, look back at yourself, whom do you see? That’s the question Bob Holman asks in his poem “Beside Myself.” A small band of Bob's friends voice the poem in alternating identities for this meditative reflection on A.I. and the life cycle of the creative process.

Outrider is a portal into fast-speaking poet Anne Waldman and her six decades birthing vibrant communities of poets, performers, and activists—from Greenwich Village, St. Mark's Poetry Project, and Naropa University 'Jack Kerouac School of Disembodied Poetics,' onwards to Mexico City, Casablanca, and more. Guided by ancestors of the Beat generation and poetic kinships with radical female musicians—Patti Smith, Laurie Anderson, Cecilia Vicuña, Meredith Monk—Outrider celebrates Waldman's role as a visionary word-worker and a transcendent presence, singing out in the ancient, bardic tradition the thunderous power of poetry.

Filmed in the autumn of 1975 prior to and during Bob Dylan's Rolling Thunder Revue tour – featuring appearances and performances by Ronee Blakley, T-Bone Burnett, Jack Elliott, Allen Ginsberg, Arlo Guthrie, Ronnie Hawkins, Roger McGuinn, Joni Mitchell, Mick Ronson, Arlen Roth, Phil Ochs, Sam Shepard, and Harry Dean Stanton – the film incorporates three distinct film genres: concert footage, documentary interviews, and dramatic fictional vignettes reflective of Dylan's song lyrics and life.

Structured as a labyrinth-like game and inspired by Jorge Luis Borges, Aleph is a travelogue of experience, a dreamer's journey through the lives, experiences, stories and musings of protagonists spanning ten countries and five continents.

A road movie whose journey intersects with and extends the events of the International Counter-Culture Meeting that took place in 1975 in Montreal. This meeting, at the heart of the film, features several important figures of the counterculture in Quebec. Throughout the film, these individuals, often through their creative endeavors, question the evolution of their society and counterculture itself.