Zélia Duncan

In a post-apocalyptic future, an intergalactic explorer lands at an abandoned museum on a quest to find traces of his long-lost ancestors, and ends up being teleported to the dance floor of a Brazilian queer nightclub in the 1990s.

The film is a compilation of the best moments of the recordings of the program Nas Ondas da Ro Ro, from Canal Brasil.

The film deals with the process of globalization based on the thought of geographer Milton Santos, who through his ideas and practices, inspires the debate about Brazilian society and the construction of a new world. Santos discusses his views on the importance of respecting difference and his belief that an alternative globalisation model could wholly enfranchise all citizens of the world. An illustrious presence in 20th century social sciences, the man dubbed as ‘geography’s philosopher’ eloquently elucidates a developing world perspective on the global age.

Vange, a lonely biker, is enchanted by the relationship and freedom of four girls, with whom she spends a weekend where exchanges about lesbian experiences and culture are present, accompanied by a mutual affection that gradually establishes itself.

A young woman confronts her religious mother. A biker explores the night with a group of rebel dykes in Rio. A rapper in French Guiana comes to terms with her roots. Five young women reflect on life at a luxury spa in the French mountains.