Louis van Gasteren

In a fragmented, non-chronological series of images, a grand villa in Bloemendaal becomes the silent witness to the lives of two generations between 1900 and its demolition in 1950. Without dialogue, the film moves through moments of birth, love, adultery, violence and death, allowing the history of the house and its inhabitants to emerge through memory-like fragments.

In Rotterdam, Baas (Lex Goudsmit) sells a batch of fake diamonds to a gang of international con-men. They pay in dollars: a suitcase full of banknotes is sent on a ship from Rotterdam to Hamburg. The wife of one of the gang members (played by Josephine van Gasteren – sister of director Louis) accompanies it to keep an eye on things. But the ship strands off the island of Terschelling and a race ensues between Baas, the gang, the shipowner and the insurer to get to the ship first and secure the case of money.

All Rebels paints a picture of the young people who congregated around Amsterdam’s Leidseplein square in the days before wider protest movements broke out in the late ’60s and the ’70s. They kicked against the powers that be through wild parties, jazz music, unconventional clothing, long hair, smoking marihuana, uninhibited dancing and free love.

Filmmaker Louis van Gasteren reconstructs the life of Amsterdam poet, composer and actor Hans van Sweeden, who took his own life at the age of twenty-four in 1963. Through interviews with friends, relatives and contemporaries, alongside archival material, the film becomes both an intimate portrait of Van Sweeden and a broader account of a young generation searching for freedom, identity and new ways of living in Amsterdam during the 1950s and 1960s.

The work of Leiden professor Bastiaans on dealing with the trauma of war victims attracts the attention of filmmaker Louis van Gasteren. He decides to make a film about the psychotherapeutic treatment with LSD of a former concentration camp prisoner in the clinic of Bastiaans. Patient Joop is arrested in September 1941 and begins a long hellish journey through various camps, until he is liberated by the Russians. When he returns to his wife, he has become a completely different man. Joop suffers from nightmares and is incapable of normal human contact. With two cameras, Van Gasteren records approximately six and a half hours of the first treatment that Joop undergoes with Bastiaans (four more will follow later). Special attention is paid to details: Joop's hands, the sweat on his forehead, a tear running slowly down his cheek. Van Gasteren reduces the recordings to more than an hour.

Short documentary about the construction of tramlines in the centre of Amsterdam

More than thirty years ago, Louis van Gasteren made the documentary BEGRIJPT U NU WAAROM IK HUIL? about a therapeutic LSD session that professor Jan Bastiaans did with a traumatised ex-prisoner of German concentration camps. The patient died in late 2000 at the age of 81. He left a wife and three children. Poignant conversations with the widow and youngest son, and excerpts from letters from the other two children reveal that a concentration camp syndrome can also inflict deep wounds in those who have not personally experienced it.

Through archival footage, interviews and computer animation, Louis van Gasteren explores a thousand years of Dutch water management. Guided by a fictional computer program called SPADE, the film traces how draining and reclaiming the land upset the balance between land and water, forcing the Netherlands into an ongoing struggle to control its environment through dikes, drainage systems and large-scale hydraulic engineering.