Acting

Primitivo Rojas

No biography available.

Known For

Double FeatureDouble Feature · 1984
Double Feature
5.51984
MovieDrama
Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.
Our Animal Neighbors!Our Animal Neighbors! · 1998
Our Animal Neighbors!
7.21998
MovieAnimationComedy
Una sombra en el rostro de FreudUna sombra en el rostro de Freud · 2025
Una sombra en el rostro de Freud
2025
MovieDocumentary
Documentary based on the project by Dr. Florencio Monje Gil. This production offers an in-depth look at the last years of Sigmund Freud's life, exploring biographical, emotional, and scientific aspects of his existence, addressing significant historical events of the 20th century.
Course CompletedCourse Completed · 1987
Course Completed
6.11987
MovieDrama
A 50-year-old playwright (Jesus Puente) bemoans his fate from his secluded home in Northern Spain in this depressing drama. Side plots include an actress and former acquaintance who comes to visit and his amorous diversions with a 20-year-old local woman.

Filmography

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Double FeatureDouble Feature · 1984
Double Feature
5.51984
MovieDrama
Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.