Philippe Théaudière

A porcelain table service and a painting from the 19th century pass from hand to hand and deteriorate over time, sealing the fate of different characters who cross paths in Paris.

The true story of Victor of Aveyron. In a French forest circa 1798, an abandoned child — feral, filthy and mentally impaired — is found. Dr Jean Marc Gaspard Itard becomes interested in the case and patiently attempts to civilise the boy.

British progressive rock band Pink Floyd perform at the ancient Roman Amphitheatre in the ruins of Pompeii, Italy in 1971. Although the band perform a typical live set from the era, there is no audience beyond the basic film crew.

The friends who attended the same boarding school meet and take turns telling their recent romantic experiences. These turn out to be as varied as they are crisp, from the initiation of a student by a teacher to the misunderstanding in the company of a lord, through the false English but true seducer, the swimmer obsessed with his physical condition and, obviously, love in a group (Le Chat Qui Fume).

Boris Zaroff is a modern businessman who is haunted by his past -- his father was the notorious Count Zaroff of The Most Dangerous Game fame. Consequently, Boris is subject to hallucinations and all-too-real social lapses which normally involve sadistic harm to beautiful naked young women. His butler is sworn to indoctrinating him into the evils of the family line, and their castle's torture dungeon proves quite useful in this regard. However, Boris is periodically lured away from his destiny by the romantic apparition of the deceased countess who previously owned the castle.

Marianne, the beautiful wife of Michael, loves her husband very much, but Michael cannot resist the lure of illicit sex. His sexual escapades are seemingly endless. Marianne's faithfulness has its limits and when she meets and beds the handsome Philip she must make a decision...to wait for the man she married to return to her or start her life a new with someone else. The passions of the heart and body come together in an explicit, searing tale of love and lust and a woman ready to bloom emotionally and sexually!

Unfinished film by Jean Eustache . A couple kisses. A group of friends talk inside a room. One of them reads from a paper.

Secretaries by profession, Joëlle and Béatrice are invited to spend a dream stay in Marrakech. However, this invitation is actually the result of a misunderstanding, Joëlle having been mistaken for the daughter of her boss, an important CEO. But it does not matter after all, because once arrived there, in a luxury hotel, the two young women are determined to seduce all the handsome boys on vacation.

A stripper takes an old lover back to her apartment and tells him the sordid history of her own bed.

A wealthy bourgeois, bored in her immense property, to pass the time engages a gigolo to answer all her wishes, from the most unfulfilled to the most hidden... But when the young man takes an interest in the sister of his boss, the latter becomes very jealous.

Overview of the life and career of the great Swiss sculptor Alberto Giacometti.

Daniel needs some money to buy a duffle coat that is in fashion, so he agrees to work for a photographer by dressing up as Santa Claus. He discovers that it is much easier to meet girls when he is in his costume.

"A renowned composer and organist, Olivier Messiaen was also a great teacher. Michel Fano, who took his composition class at the Paris Conservatory, films some of the privileged moments of his teaching. This film, co-directed with Denise Tual, also shows Messiaen as a devotee, an ornithologist, and a synaesthete, evoking the fundamental concepts of his inspiration with an often sparkling ease (the musician imitating certain bird songs in a manner reminiscent of Rouch recreating the cries of wizards for certain films). In this way, the film boldly collides sequences with visual or sound correspondences, the directors succeeding in dragging us into the world of mystery and dreams dear to the musician." (François Waledisch)

A family portrait in which the director profiles his grandmother, Odette Robert. Eustache includes in the film the conditions of its production — he is seated at the table with her, pours her some whiskey, speaks with the camera operator, manipulates the clapboard at the head and tail of the reels, and even takes a phone call. Robert, who was seventy-one, speaks rapidly and tells the story of her life, starting from her early childhood in villages in the Bordeaux region of France. A shorter version of the film ("Odette Robert") was edited in 1980 to be broadcast on television on TF1. The complete film only gained exposure in 2002, when it was salvaged by Boris Eustache, Thierry Lounas, João Bénard da Costa, Jean-Marie Straub, and Pedro Costa.

In the French countryside it's the day for peasants to kill a big fat pig. The slaughter goes on for a great part of the day as they work to store 140kg worth of meat.

This landmark documentary by Jean Eustache, filmed in 1968, hilariously exposes small-town pomposity and naiveté as it chronicles the preparations for an annual contest to crown a village’s most virtuous young woman.

Bryan is an American journalist, married with two young daughters. Assigned to cover the Paris Conference on Vietnam, he is approached at the airport by two stewardesses, Corinne and Lucile. They meet again, talk politics, but the discussion veers off course: “Do you know how to make love? - Of course, I'm married.” Bryan sleeps with Corinne as Lucile looks on, then confesses to both women: he feels no remorse, but he's sad that it's so easy to cheat on your wife. “Corinne is a free woman,” as Lucile later tells Bryan. The latter is too puritanical and romantic to accept being just another fling. He thinks of nothing but the young woman, and is constantly on the lookout for her.

In 1979, under the presidency of the city mayor, the people of Pessac elect a virtuous and gracious maiden from amongst the residents, following a tradition that comes from times immemorial.

Two short films by Jean Eustache (Robinson's Place and Santa Claus Has Blue Eyes) presented together. US limited theatrical release in 1969.

On April 24th, 1982, when Orson Welles was invited to Paris to receive the Légion d'honneur from François Mitterand, a lively filmed interview took place inside the French Cinémathèque.

Two young women leave claustrophobic city life behind and move to a small border town. There they meet a border guard, involved in smuggling to and from the country. Both women fall for him, resulting in jealousy.

Ángel Díaz’s documentary The Lost Sorrows of Jean Eustache, concentrates on Eustache as cinematic thinker and archivist of his own life. Actors read texts written by Eustache, including the following reflection: “The role of the author in cinema should be one of non-intervention.” This sentence reminds us that he belongs to the greatest of film traditions (he cites Griffith, Renoir, Dreyer, and Lang as his models), the one that sees cinema as a matter of placing the camera in front of reality and capturing it ardently, precisely, and without tricks.

Diplomats and spies converge in Malta to influence a weapons-for-oil deal involving a influential sheikh.

Two young men near the place de Clichy are looking for fun and whatever trouble comes with it. Unsurprisingly, their attention ultimately falls on a girl. They go to a dancing called "Robinson". Spurned when she decides to go dancing with someone else, their thoughts quickly turn to revenge. Slowly, we discover the layer of despair that sits just under their carefree appearance.