David Amram

Near the end of the Korean War, a platoon of U.S. soldiers is captured by communists and brainwashed. Following the war, the platoon is returned home, and Sergeant Raymond Shaw is lauded as a hero by the rest of his platoon. However, the platoon commander, Captain Bennett Marco, finds himself plagued by strange nightmares and soon races to uncover a terrible plot.

A fragile Kansas girl's unrequited and forbidden love for a handsome young man from the town's most powerful family drives her to heartbreak and madness.

A U.S. Marine Corps colonel alerts the president of a planned military coup against him.

An adman attempts to rebuild his shattered life after suffering a nervous breakdown.

Traces the Beats from Allen Ginsberg and Jack Kerouac's meeting in 1944 at Columbia University to the deaths of Ginsberg and William S. Burroughs in 1997. Three actors provide dramatic interpretations of the work of these three writers, and the film chronicles their friendships, their arrival into American consciousness, their travels, frequent parodies, Kerouac's death, and Ginsberg's politicization. Their movement connects with bebop, John Cage's music, abstract expressionism, and living theater. In recent interviews, Ginsberg, Burroughs, Kesey, Ferlinghetti, Mailer, Jerry Garcia, Tom Hayden, Gary Snyder, Ed Sanders, and others measure the Beats' meaning and impact.

A district attorney investigates the racially charged case of three teenagers accused of the murder of a blind Puerto Rican boy.

Visionary artist Matthew Barney returns to cinema with this 3-part epic, a radical reinvention of Norman Mailer’s novel Ancient Evenings. In collaboration with composer Jonathan Bepler, Barney combines traditional modes of narrative cinema with filmed elements of performance, sculpture, and opera, reconstructing Mailer’s hypersexual story of Egyptian gods and the seven stages of reincarnation, alongside the rise and fall of the American car industry.

Inspired by the idea that the greatest gift one generation can give to another is the wisdom it has gained from experience, 'Wisdom' seeks to create a record of a group of people over the age of 65 who have all made their mark on the world.

From the pen of Pulitzer Prize winning author John Updike ("Witches of Eastwick," "Rabbit Run"), comes the story of a young man's search through the questions of life and death, and the wondrous discovery of living in the soaring beauty of one of nature's simplest creations. A family returns to life on a farm and finds some answers to the paradox of living.

Canada, our friendly neighbors to the North, who welcomed 27,000 refugees (just 6,000 fewer than America) in 2017 alone, despite having a tenth of the U.S. population. Many of the refugees came from Syria and Iraq, and their journeys to safety were physically and mentally taxing. To tell the story of their experience, Academy Award®-winning director Barbara Kopple uses a unique and creative setting: summer camp. Located on a small island in the Canadian wilderness, Camp Pathfinder has given boys from Canada and the U.S. a place to belong for over a century. A few years ago, its director—saddened and disturbed by what he was seeing in the news—decided to give refugees the opportunity to attend the camp. Kopple’s film chronicles their stay, beautifully capturing the bonds of new friendship. But not all the boys are able to escape the mindset of war. Through the eyes of these youngsters, NEW HOMELAND documents the highs and lows of starting over.

Based on an incident in the life of Beat icon Neal Cassady and his wife, the painter Carolyn, the film tells the story of a railway brakeman whose wife invites a respected bishop over for dinner. However, the brakeman's Bohemian friends crash the party, with comic results. Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration.

Hamlet suspects his uncle has murdered his father to claim the throne of Denmark, and the hand of Hamlet's mother, but the prince cannot decide whether or not he should take vengeance.

Walker Evans/America profiles the great American photographer Walker Evans (1903-1975), whose style influenced a entire generation of photographers. He is best known for his collaboration with writer James Agee on the book "Let Us Now Praise Famous Men", which illustrated the plight of tenant farmers during the Great Depression. A pioneer of the documentary style of photography, Evans was the first photographer to have a one-man retrospective at The Museum of Modern Art. His photographs, from southern sharecroppers to New York subway riders, are point-of-view images that reflect his distinctive vision of America. Walker Evans/America contains rare interviews with Evans himself, recorded by filmmaker Sedat Pakay while a student at Yale University in the late 1960s.

The legend of Jack Hardy and the Songwriter's Exchange tell the story of Greenwhich Village folk Icon Jack Hardy, and the folk scene that he helped create. Jack's influence and his collective of songwriters produced such notable folks musicians as Suzanne Vega, Shawn Colvin, John Gorka, Christine Lavine, Tracy Chapman and countless others. Jack's story is a fascinating tale of community and commitment to the song.

Startime, an anthology of drama, comedy and variety, was one of the first American television shows broadcast in color.