Sebastian Danneborn

Police officer Asger Holm, demoted to desk work as an alarm dispatcher, answers a call from a panicked woman who claims to have been kidnapped. Confined to the police station and with the phone as his only tool, Asger races against time to get help and find her.

In an apartment a single and psychotic mother locks in herself and her daughter. Here, the demons are in control. Ti can hear her mother talking to the demons, and she sees her changing and confined face. But the demons that the mother speaks with Ti can neither hear nor see. Outwards, Ti is forced to keep a straight face to protect her mother, while she herself is going under.

The drama chronicles the affair between Inger, a young Danish woman from Copenhagen, and Kwame, an illegal immigrant from Ghana, that she meets while volunteering at a homeless shelter. Despite their cultural differences, and the disapproval of Inger’s own mother, the two quickly develop a strong bond and move in together. Everything seems perfect and serendipitous, but then Inger discovers a devastating secret that Kwame has kept hidden.

A girl looks out over a snow-covered garden where everything seems to lie eeriely still. Further into the house lies her sick mother in her bed. When a strange being shows up outside the window, the borders between dream and reality, life and death, cease in this experimental horror poem.

Performance artist Michael Richardt and his mother Malou are ready to go on a road trip around Denmark and Germany to rediscover each other. Cecilie Debell has created a touching, funny, and almost startlingly lively family story, where imagination has the first and last word. A cinematic letter about tolerance in a time that desperately needs it.

Møn Island, Denmark. Sonja asks Anna, an aspiring singer, to visit her childhood friend Julie, Sonja's daughter, who is obsessed with an ancient myth. Anna tries to cheer Julie up and convince her to give up her fantasies. (Remake of the short film “Sombra,” 2017.)