Enrique Navarro

Two bounty hunters both pursue the brutal and sadistic bandit, El Indio, who has a large bounty on his head.

While a Mexican revolutionary lies low as a U.S. rodeo clown, the cynical Polish mercenary who tutored the idealistic peasant tells how he and a dedicated female radical fought for the soul of the guerrilla general Paco, as Mexicans threw off repressive government and all-powerful landowners in the 1910s. Tracked by the vengeful Curly, Paco liberates villages, but is tempted by social banditry's treasures, which Kowalski revels in.

A 19th-century expedition to the Earth's core reveals primordial wonders, prehistoric monsters and a subterranean civilization that may convey the greatest discovery of all.

Escaped outlaw Jose Gomez returns to his home town pursued by bounty killer Luke Chilson. The towns people protect Gomez, unaware, at first, that he is now a changed and dangerous man.

Guzman, a rich U.S. landowner is forced to leave for a short time, leaving his pregnant wife alone in the ranch. That night, a group of bandits, believing that the house is empty, enters with the purpose of stealing. She surprises them and they kill her. When Guzman returns, he finds in the fingers of his dead wife the tie pin of the murderer. Then, with the help of a Portuguese and a Mexican friends,he begins his revenge.

In a small town near Madrid, Paquita and her brother Venancio, both single and with a childish personality, live under the shadow of their bossy older sister, Ignacia, a grumpy old maid.

In addition to his passion for red roses, Count Henri de Verlaine adores wooing all the women he meets.

To avenge his father's death and free the people of Seriphos from the evil King Galinor of Argus, the noble Perseus must defeat a dragon -- and the monster Medusa, whose steely gaze has cast the kingdom's best soldiers into stone.

In Spain of the 1960s, a poor family of quinquis - a nomadic ethnic group with a tradition as old as that of the gypsises of Spain but with even more obscure origins - have a nomadic life marked by poverty. The son, Eleuterio Sánchez Rodriguez, nicknamed "El Lute", steals some chickens and is condemned to six months in jail. El Lute moves to the slum outskirts of Madrid with his common law wife, Chelo, starting an itinerant life as a peddler of pots and pans and living in a quinqui shantytown. He gradually embarks upon as life of petty criminality, eventually participating in the theft of a jewelry store during which a bystander is killed.

In the 18th century in Madrid, the Marquess of Esquilache, King Charles III of Spain's former minister, bans on wearing the popular wide collar with a long coat and brimmed hat. Along with other measures provoke a massive riot in the city.

A veteran US Secret Service agent must thwart the covert conspiracy of an enemy spy network that threatens the world's safety.

The Lecturer, leader of the Feminine League Against Frivolity, tells the history of eroticism and censorship from the beginning of time until the late 1960s.

In this Spanish melodrama, set in post-Civil War times, Don Raul (Antonio Ferrandis) is entranced by his shell-shocked brother's daughter, Andrea (Maribel Martin). He blackmails her into having sex with him under the threat that he will have her father committed to an insane asylum.

Don Mendo, Marquess of Cabra, gallant and dashing knight of medieval Castilian, is also a virtuous mandoline player and a specialist in climbing towers. But he has a bad run, all played and all lost at seven-thirty (card game), and lost his honor playing in his latest escalation of love to the apartment of his beloved and beautiful Magdalena. Don Nuño Manso de Jarama, father of Magdalena, has pledged the hand of his daughter to the Duke of Toro, and surprises Don Mendo in the room of Magdalena. To save the honor of his beloved one, Don Mendo says that no love has led him to the Tower, but he has climbed to steal. Magdalena is clean of all suspicion, and he is condemned to die buried in the castle wall. The Marquess of Moncada and other noble gentlemen, all friends of Don Mendo, facilitate his escape.

At the outbreak of the Spanish Civil War, the nun Maria is forced to flee her convent. She takes refuge in a brothel, until it is liberated by a woman's anarchist group. Maria joins the group and eventually goes to the front. The women's group faces the problems of fighting not only the nationalists, but also factions on the left seeking to impose a more traditional military structure.

The life of Juan de Dios and his struggle against social, political and religious structures.

Immediately following the events in Adiós, Cigüeña, Adiós (1971), Arturo, Paloma, and their friends now face a struggle with their parents and various other authorities over what is to be done with their new addition to the gang. Arturo's father just wants the whole matter to go away, Paloma's father prefers to dump the baby at a foundlings' home run by nuns, and the nuns don't care where the infant originated or what his parents want for him. All other options exhausted, the gang ultimately has no choice but to make a daring raid on the foundlings' home to get their child back, because, as they've repeatedly pointed out... "The child is ours!"

Mario and Teresa are a seemingly happy marriage, but she reproaches that he does not value enough her work at home. As he is not willing to recognize the importance of domestic chores, Teresa offers him to exchange roles. While Teresa gets a job, and develops very well, Mario is unable to keep the house in order.

In Madrid, Spain, an omniscient narrator transforms Mari Loli and Merche, two beautiful sales clerks, into Susana and Casta, who flirt with Don Hilarión, an old apothecary, which arouses the jealousy of Julián, who is in love with Susana.

Tales of terror by established authors such as Ray Bradbury or Edgar Allan Poe, as well as original scripts.