Byeon Jang-ho

Innocent Bok-nyeo is sold at 18 years old to an elderly widower who sends her to work in the salt mines. There she is raped by the supervisor. Becoming very cynical about life, Bok-nyeo becomes the mistress of a couple of rich men, Choi and Wang. In this way, she becomes accustomed to the high life. However she panics and takes desperate steps when one of her sources of income is about to cut her off.

A woman arrives in Korea and makes her way to her ancestral home to learn the mysterious history of an ornate silver dagger in her possession.

Mi-yeong informs her boyfriend that she is becoming a prostitute to help her poverty striken family. Although she tries not to, she ends up falling in love with wealthy Dae-seon and moves into an apartment that he supplies. She is satisfied with this arrangement until she learns that Dae-seon's wife is her classmate.

Kwang-shik misunderstands his wife's motherly attentions for mute Sam-yong, a servant on his land, leading to Sam-yong being fired. Kwang-shik is having an affair of his own and when his mistress' husband finds out, he plans to take revenge on all of Kwang-shik's household.

Shin-ho wants to visit his son but Hye-yeong refuses to allow them to meet due to his past treatment of the boy. Hye-yeong feels that it is time to put the past behind her and, leaving her son in the care of a friend, she leaves Korea with a new lover.

"A Journey with Korean Masters" is an omnibus film compiling four shorts created by directors who once dominated Korean cinema: Park Chul-soo, Lee Doo-yong, Lee Jang-ho, and Chung Ji-young. This modest project is the product of collaboration between professional and amateur actors of all ages and the masters. The aim was to promote the city of Seoul and the harmony of old and new. The project began as a promotional event, but its cinematic quality is equal, if not superior, to any Korean films officially invited to BIFF this year. That is by no means simply being polite. This special screening is the perfect opportunity to enjoy the unique characteristics of masters experiencing a cinema renaissance in their twilight years.

Eul-hwa discovers that she has a talent for shamanism. She sends her son away to be raised by monks while she delves into shamanistic rituals and spells. Eventually she becomes a powerful shaman. However, with Christianity taking hold in Korea, Eul-hwa finds her way of life threatened and herself at odds with her religious son.

Isolation and loneliness slowly drives a woman towards madness and murder.