Kiko Dinucci

When a doctor decides to carry out an AIDS prevention program inside Latin America’s largest prison: the Casa de Detenção de São Paulo – Carandiru, he meets the future victims of one of the darkest days in Brazilian history.

The documentary delves into the images that shaped the political myth of Jair Bolsonaro, from his earliest YouTube videos to the end of his term in office. Over a series of sleepless nights, a narrator drifts through Bolsonaro’s livestreams, selfies, and speeches, searching for the logic of a form of power forged through and by images. By confronting this visual regime with Brazil’s official iconography, the film explores how power is understood, repeated, and asserted through images, at a time when politics increasingly unfolds on screens.

Sandra is an insurance broker staying at a hotel with her team for a training session led by a famous coach. When a mysterious phone call wakes her in her room, she realizes she is being watched by a foreign guest.

After her grandmother’s death, Ana finds herself adrift. Following the clues left by her late grandmother, Ana arrives in Belo Horizonte and meets Alice. As they make sense of the city’s layout and their memories, Ana and Alice will discover what it means to become who they are.

Tony and his best friend, Ivy, decide to rob the bar where he works to steal a new drug that will take them on a journey to meet God.

It’s dripping through the ceiling, the space for sleeping is scarce. Under poor living conditions, a young mother handles everyday life with her two daughters in the Brazilian suburb as best she can. When they unexpectedly acquire a load of frog legs, this gives rise to a celebration that will not soon be forgotten.

Two wandering characters walk through a city ravaged by real estate speculation looking for movie theaters in downtown São Paulo, but only find evangelical churches, porn theaters, parking lots and ruins.

Down on his luck and recently divorced, Paulo has begun driving a cab around Rio, hoping he’ll make enough to send his ex money to support their ten-year-old son. He mostly works nights, so in addition to his encounters with a colourful variety of customers, colleagues, cops and others, he must cope with loneliness, fatigue and new faces in his life.