Jérôme Goulven

The exploits of Chief Police Inspector Chabrier, first before the invasion of France in May 1940 as he fights against spies preparing the coming the Germans, particularly Emmy de Welder, the alleged manager of the Rouen hospital. Later, Chabrier and his men go underground and resist the occupiers whatever the price to pay. When the Liberation comes Chabrier resumes his activities at the French National Police.

Inspector Sergil is a detective comedy. Sergil, inspector of the P.J., investigates three crimes, helped by two pretty women, Bijou and Nadège.

Rose Chaperon is asked by her confectioner mother Mathilde to bring jewels to her sick grandmother, Madame de Mergrand. But Hugues, the latter's brother, is prepared to do anything to get his hands on the loot. To this end he hires a villainous young man, Jean-Louis nicknamed Loup, to do the job. Will Loup engulf and devour Little "Rose "Riding Hood?

During the colonial period in Algeria, Sergeant Bouvard helps Broussole and his two daughters, Alise and Julie, settle in Hassi Ben Okba. Demobilized, he plants vines with them. Seduced by Julie's charms, he nevertheless marries Alise because she owns the land. He protects Julie from all her lovers but cheats on Alise with Adèle, a settler's wife. Unable to bear it any longer, he runs away with Julie to Oran. The death of his father brings him back to Bou-Okba. He stays with Alise until the day when, selling his wine in Oran, he is taken over by his passion. It is Julie who will tell him to resume married life and start a family of settlers.

Anthology film with three shorts each featuring a famous detective: Monsieur Wens, Lemmy Caution and Maigret.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

Alexandre Dumas' romantic novel Lady of the Camelias (more popularly known as Camille) was filmed twice in 1953, first in Argentina, then in France. The Argentine film was heavily modernized, while the French version returns to Dumas' 19th-century milieu. Micheline Presle is excellent as Marguerite, the gorgeous courtesan who flits from man to man until she finds true love in the form of the much-younger Armand (Rolande Alexandre). Though he is willing to marry her despite her past, she is persuaded to forsake him, lest his reputation be ruined. The story then wends its way towards its famous tragic finale, as the consumptive Marguerite is permitted a few brief moments of happiness before her flame is permanently extinguished. Advertised as the seventh version of the Dumas classic, La Dame aux Camelias was certainly not the last.

The inhabitants of the windswept island of Sein, in the 19th-century Brittany, follow their own religion without need for clergy, but as strangers arrive, their faith and beliefs face a deep crisis.