Clare Burt

Struggling to connect with those around him, a teenage math prodigy trains for the International Mathematical Olympiad, where a budding romance with a fellow contestant breaks through his emotional walls and teaches him that love cannot be calculated.

Three suburban English families' lives intertwine with tragic consequences.

As Blanche’s fragile world crumbles, she turns to her sister Stella for solace – but her downward spiral brings her face to face with the brutal, unforgiving Stanley Kowalski.

When a broken hearted boy loses the treasured wooden nativity set that links him to his dead father, his worried mother persuades a lonely ill-tempered woodcarver to create a replacement, and to allow her son to watch him work on it.

A teenaged girl discovers that her stepfather is trying to murder her and her mother, but when she tells people, no one will believe her.

Autumn, 2006. The everyday life of the Suffolk town of Ipswich is shattered by the discovery of the bodies of five women. The occupant of No. 79 London Road is arrested, charged and finally convicted of the murders. Caught in the headlines and the invasion of their quiet road, the community grapples with what it means to be at the epicentre of the tragedy. Using their own words set to an innovative musical score, London Road is a moving story of ordinary people coming together during an extraordinary time. Director Rufus Norris, writer Alecky Blythe, and composer Adam Cork reunite for this highly anticipated return of the remarkable, award-winning verbatim musical.

London Road is a musical drama that documents the events of 2006, when the quiet rural town of Ipswich was shattered by the discovery of the bodies of five women. The residents of London Road had struggled for years with frequent soliciting and kerb-crawling on their street. When a local resident was charged and then convicted of the murders, the community grappled with what it meant to be at the epicentre of this tragedy.

Ordinary young couple Gemma and Richard have just bought their first home and are expecting a baby. It's all very exciting, and the couple settles in nicely to their new pad. Except for the screaming and shouting they hear at all times of the night through their walls from the house next door. Listening more closely, pregnant Gemma is convinced that she's also hearing cries and smacking noises, which she is certain are the sounds of a toddler being abused. She and Richard have seen the child just once, but not since. Feeling morally obliged to act, the couple gather as much information as possible about what's going on next door. And after social services say there's nothing to worry about, Gemma becomes increasingly obsessed and she starts to spy on them in a way that raises questions about who is actually committing the crime — Gemma's neighbours, or Gemma?