Acting

Marc Darnault

No biography available.

Known For

My Dear SubjectMy Dear Subject · 1989
My Dear Subject
★ 9.01989
MovieDrama
From birth to death every subject remains intact. Three ages, three women. Daughter, mother, grandmother. Each of them before and after still and always. And the men too, those they meet those they love.
IntimacyIntimacy · 1994
Intimacy
★ 4.21994
MovieDramaRomance
Françoise is determined to help her friend Lucie discover sexual fulfillment, whom she considers to be stuck in a marital rut with Henri, her failing husband. So she introduces her to a friend, Pierre, who soon becomes her lover. Pierre even proposes to Lucie to go with him to Nice, where he says he has a villa.
AgoniesAgonies · 1964
Agonies
★ 5.81964
MovieCrimeDrama
Angoroj (1964; Esperanto for "Agonies") was the first feature film to be produced entirely in Esperanto. (Jacques-Louis Mahé, a friend of Raymond Schwartz and under the pseudonym of 'Lorjak', had however already produced a silent Esperanto publicity film before World War II, titled Antaŭen! (Onwards!). At the start of the 1960s Mahé, a professional photographic and cinematic expert, invested in the production of the first fictional film in Esperanto. Using a scenario by Mahé himself, the actors of the Internacia Arta Teatro (International Arts Theatre) presented a crime story, set in the Parisian periphery of petty thieves and cheats. Other notable people who played parts in the film included Schwartz (the commissioner), Gaston Waringhien (the voice-over) and many from the environs of the contemporary Paris, including a very young Michel Duc-Goninaz.

Filmography

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AgoniesAgonies · 1964
Agonies
★ 5.81964
MovieCrimeDrama
Angoroj (1964; Esperanto for "Agonies") was the first feature film to be produced entirely in Esperanto. (Jacques-Louis Mahé, a friend of Raymond Schwartz and under the pseudonym of 'Lorjak', had however already produced a silent Esperanto publicity film before World War II, titled Antaŭen! (Onwards!). At the start of the 1960s Mahé, a professional photographic and cinematic expert, invested in the production of the first fictional film in Esperanto. Using a scenario by Mahé himself, the actors of the Internacia Arta Teatro (International Arts Theatre) presented a crime story, set in the Parisian periphery of petty thieves and cheats. Other notable people who played parts in the film included Schwartz (the commissioner), Gaston Waringhien (the voice-over) and many from the environs of the contemporary Paris, including a very young Michel Duc-Goninaz.

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