Lou Strenger

Selay seeks refuge in a women's shelter with her newborn baby, but isolation, mistrust, and envy make her stay difficult. Faced with the choice between returning to her violent ex-partner and searching for safety, she must decide which path to choose for herself and her child.

Julius, an eloquent young museum attendant loved by the people around him, invites his colleagues on a sailing trip on his aristocratic family's boat, but something goes wrong. Julius is not who he seems to be.

After an exhausting rainy day, a young woman is struggling with her growingly overwhelming feelings. Initially, she has difficulties allowing her tears and fights actively against them. She desperately tries to keep out the rain, which more and more vehemently makes its way into her apartment. Yet as soon as she learns to accept and appreciate the rain, she also makes peace with crying.

Based on the bestselling biography: Entertainer Horst Lichter has barely had time to relax on his holiday when his mother calls him. In her own dry way, she tells him that she has been diagnosed with cancer and that things are not going well for her. Immediately Horst returns to his hometown with his wife Nada. Returning home brings back childhood memories - of a loving father and a mother who held the reins firmly in difficult situations. Horst tries his best to support his mother Margret - he organises doctor's appointments and tries to provide a little variety into her daily life, even though the relationship between mother and son has been strained for a long time: he counters his mother's edgy, frosty manner as he had learned to do when he was young. He emphasises the positive side of any situation and is always ready to respond with a snappy retort. When Margret learns how serious her illness really is, Horst begins to rethink his own life as well.

Father Iversen has a mission: to save his parish. He already has an idea. With a spectacular performance of the Passion story, he wants to convince the theater-loving archbishop to keep the parish. But director Roberto, who has been canceled by the Berlin theater scene, and Mia, the butcher who has returned involuntarily, thwart his plans.

Katharina, Ricky, Victoria and Malou live in an assisted living group. There they have built up an anarchic utopia as an alternative to everything they reject: Parents, school, rules. With social worker Ballack as a half-hearted guardian, things go well until their “live and let live” agreement starts to falter.

Chrissimo and Luisa are driving to his parents. During a break in a wonderful flower field, Luisa doubts the young relationship and the journey becomes a disaster. Who is overly sensitive? Is someone overreacting? And why the hell Baudelaire?