José Martí

Humor, crime, action, drama, compassion and risk are the ingredients that this wonderful story uses to create a scenario that seems to be a dead-end and a worst nightmare, that will be resolved in the most surprising, unexpected and fun way. Taking Pepito from victim to supposed thug and from supposed thug to hero.

A bad man holds the power of life and death over the inhabitants of a village... for no apparent reason... and he's fond of torturing them, tying them to crosses and leaving them to die. A cowboy with necromantic powers comes along and leads a rebellion to overthrow that reign of terror.

Two sworn enemies must put aside their differences and join forces to catch a gang of thieves led by a woman called "The Yara". They must fight to save their village from the bandits and do everything necessary to prevent The Yara from controlling their destinies.

Analytical view of one of the least reported conflicts of national cinema: the Cristero movement that developed in the regions of western Mexico between 1926 and 1929, highlighting the inability to be faithful to both the Church and the State.

The story concerns a young woman named Elena who ascends from rags to riches when she inherits a substantial fortune; having no one else with whom she can share the monies, she invites her best friend, Clara, to move into her home and enjoy the wealth with her. All fares well until Elena falls in love with a male suitor - and thus threatens to jeopardize Clara's place in the household and her share of the spoils. Indignant, Clara vows to do everything in her power to prevent this new romance from blossoming.

Two young people are in love, but at the same time very confused about sex, love and the world.