Catherine Dussart

Goltzius and the Pelican Company tells the story of Hendrik Goltzius, a late 16th century Dutch printer and engraver of erotic prints. A contemporary of Rembrandt and, indeed, more celebrated during his life, Goltzius seduces the Margrave of Alsace into paying for a printing press to make and publish illustrated books. In return, he promises him an extraordinary book of pictures of illustrating the Old Testament’s biblical stories. Erotic tales of Lot and his daughters, David and Bathsheba, Samson and Deliah and John the Baptist and Salome. To tempt the Margrave further, Goltzius and his printing company will offer to perform dramatisations of these erotic stories for his court.

During the Gorbachev years, Platon Makovski and his four buddies are university students who jump on the private capitalism movement. Fast-forward 20 years, Platon finds himself the richest man in Russia, having sacrificed his friends to get to the top. But with this cynical rise, comes a brutal fall.

Democratic Kampuchea (Cambodia) - 1978. Three French journalists are invited by the Khmer Rouge to conduct an exclusive interview of the regime's leader, Pol Pot. The country seems ideal. But behind the Potemkin village, the Khmer Rouge regime is declining and the war with Vietnam threatens to invade the country. The regime is looking for culprits, secretly carrying out a large scale genocide. Under the eyes of the journalists, the beautiful picture cracks, revealing the horror. Their journey progressively turns into a nightmare.

In a Himalayan polyandrous village in Nepal, newly married and pregnant Pema tries to make the best of her new life. But soon, her first husband Tashi vanishes on the trade route to Lhasa. Accompanied by her monk de facto husband, Karma, she embarks on a journey into the unforgiving wilderness to find him, evolving into a quest of self discovery and liberation.

The film centers on a young French widow and her two adolescent children as they attempt to carve out a meager life for themselves by farming rice fields alongside the ocean in French Indo-China in the 1930s. Their efforts are hampered each year by the presence of the sea, which invariably floods the fields with saltwater and wipes out the crops. In desperation, the mother realizes that their only hope lies in the construction of a sea wall to prevent continued flooding, but the mother must cut a swath through the local bureaucracy in an almost Sisyphean attempt to make this happen. Meanwhile, her obstinate daughter, Suzanne, draws the romantic obsessions of a well-to-do Chinese gentleman, Monsieur Jo. Though he could easily provide a way out, the possibility of a romantic relationship between Jo and Suzanne could just as easily fall prey to local racial prejudices that would damage or ruin the lives of both.

On a tramway that connects several of Jerusalem's neighborhoods from East to West, a mosaic of people from different religious and ethnic backgrounds are brought together.

In the near future, writer Victor Banev gets himself on a UN commission to investigate the goings-on in the remote town of Tashlinsk, where reports tell of a virus-created race of brainiac mutants. His tween daughter Ira is enrolled at a school for gifted children which has been taken over by the mutants, who have grown to despise ordinary humanity.

Rithy Panh uses clay figures, archival footage, and his narration to recreate the atrocities Cambodia's Khmer Rouge committed between 1975 and 1979.