Noëlle Frémont

Jeanne has been divorced for seven years now and her life is centered around Sarah, her fifteen year-old daughter. They appear to have a perfectly harmonious life together, a relationship based on deep mutual understanding and trust. So when Sarah needs a contraceptive, it's her mother who goes alone to the drugstore with her. However, under this idyllic surface there are tensions at work. Jeanne's on and off affair with Pierre does not save her from feeling lonely, and Sarah is bored by school. Both of them dream of an independent life, though neither will admit it.

A Red Cross inspection team visits a prison and holds interviews with a range of inmates.

The film follows William, thirty-ish, out of work and looking for a new life after apparently having been thrown out of his previous one. He meets up with Noelle, who seems intrigued by his restlessness - until her economist boyfriend shows up. Yet plot details do little to convey the power of the film, which lay in its capturing the anarchic texture of William's life - a life whose lack of direction was read as a rebuke of the Swiss myth of orderliness and self-satisfaction. With his roots in documentary, Soutter excelled at creating a loose, vibrant cinema, full of quick zooms and dynamic hand-held shots, with dialogue that often alternated between outright quotations and stylized interviews.

Eight years after May '68, they are all in their forties and all met to live in a small village in Provence: Julie, Simon, Alice, Maria, Gustave, Claude and Claudine.