Tigran Torosyan

A film intertwining three stories of individuals seeking meaning and connection: estranged sisters reconciling at their mother's deathbed, a flea market seller confronting purposelessness, and two grifters trapped in a cycle of searching.

While trying to evade her father’s attempts to reconnect, ten-year-old Tamara noticed that a celebration is in the works in her residential block. A neighbour is to be married, and the groom has come to ‘steal’ her.

In search of a quick buck, two brothers decide to steal a car from a snowy roadside parking lot. In their euphoria, they don't notice that along with the car, they also abduct a sleeping child.

A boy starts an affair with his famous dad's young new wife - an instinctive way of victory of a confused soul over his parent's inadequacy. Ever haunting dreams about his real mother start overwhelming the boy more and more often. Unsuspecting a thing, the father keeps trying to carry out his own views on beauty upon their joint living. In vain - faith intends differently.

The film's motto is: "The world of the elderly is a world that is constantly shrinking. Little things become big. Few people are important to us, but they are very important." Federico Fellini.

In the midst of his crumbling reality, Yavor, the youngest inhabitant of a small Bulgarian village, dreams of another world - a world of possibilities.

Just an ordinary boy from the Sofia suburbs becomes the first bulgarian undercover cop. Forced by his father when he was young to lie and cheat, Martin becomes the perfect liar. That skill, and also the hatred of the 'underworld' makes him the perfect match for a dangerous mission - to infiltrate the crime organisation of a rich and powerful businessman. While infiltrating and living in fear of being uncovered, Martin falls in love with the most inappropriate woman - Djaro's girlfriend, Suni. Just when he gains the trust of the mobsters, it appears that the real enemy is in the police. Martin is alone against all, facing difficult decisions.