Jean-Jacques Renon

Experimental film.

When the deranged emperor Caligula falls for an insatiable gladiatrix, their reign launches a mind-bending bacchanal of torture, sodomy, incest, castration, and aroused livestock.

A gang of pirates rape the two sole survivors of a ship wreck. The violated girls are rescued by the strange inhabitants of a supposedly haunted island, where they are granted supernatural powers to strike revenge against the pirates.

Between the first stripping of Brigitte Bardot, at the end of the 1950s, and the beginning of the 1980s, French cinema developed a certain taste for eroticism and pornography.

A young man falls in love with a beautiful woman being chased by sinister masked figures at night. He tries to track her down, and learns she's being held captive by his father and colleagues who believe she's a vampire.

Two female hitchhikers get mixed up with a gang of thieves and their stolen jewelery.

A tale of mad love.

An exposé of the sexual revolution.

A newlywed couple travels to a small town to visit the bride's cousins—her last two surviving relatives—at the castle where they live, only to discover that the cousins have just died and the castle is now inhabited by vampires.

A tragic spin on the futility of revolution, in cinema and elsewhere.

A far too serious college graduate boy gets hazed by his two cheeky girl cousins, as well as by a beautiful female neighbor, while spending their Summer vacation in a French manor.

A young couple out for a walk decide to take a stroll through a large cemetery. As darkness begins to fall they realize they can't find their way out, and soon their fears begin to overtake them.

A detective narrates this story of police investigating three murders and discovering that their leads take them to the heart of a white slavery ring that is also in the drug trade. Men set up parties, invite young women, and then drug them, kidnap them, and sell them off to brothels.

In a mysterious French castle dark meetings and apparitions happen, seasoned by nauseating erotic menages. The involvement frantically increases up to the amazing epilogue.

There are small problems everywhere, including in a Paris area bourgeois housing development. In this particular building, a motley crew tries to resolve shared co-ownership problems. Among them, a Foreign Legion colonel and his dog; an unfaithful gynecologist and his fiery nurse; a voyeuristic filmmaker and his editor in love; a Don Juan-type antique dealer; an adorable old lady and her nice son who turns into a drag queen at night; an FIFG interviewer; an unbearable opera singer; a lesbian; a deceived woman.

A kaleidoscope of images from history populate this skillfully animated French feature. The story concerns a history professor whose ideas about human history cause him distress. Amid a flurry of newsreel-type images, Joan of Arc's trial is shown. Another theme which emerges is of two ages (in the far past and far future) in which naked humans fight one another with animalistic aggression.

In a secluded villa, a couple and her daughter and a girl are kidnapped by two thugs.

A filmmaker finds his brother who he has not seen for ten years and introduces him to the world of African musicians in Paris.

A radical film that is at once a scathing questioning of cinema, a fierce attack against ideological sclerosis, an obvious model of total science fiction.

Longtime friends Marc and Hubert are successful CEOs in their 50s married to beautiful women. When they begin to doubt their power of seduction, they send their wives on a trip together and start seducing other women, which leads to some sexual escapades. Rejuvenated, they join their wives, but their holiday is quickly disrupted by the intrusion of young sexy campers who bring a wind of erotic freedom and teach the older couples to reevaluate their lives.

Two youngsters, a boy and girl barely into their teens, set up housekeeping together after dropping out of school. They have very little money and end up living in a rooming house. They spend their time playing, coming up with slogans, and writing them on available walls. Their relationship is mostly fraternal, so the boy doesn't understand the girl's jealousy when he begins receiving attention from an older woman. When the girl undertakes drastic measures, he begins to understand. This Canadian film is in French, with a French director.

An in-demand model, Nathalie can't shake the memory of her fiancé Michel, who died in a tragic car accident. To help her forget, she attends erotic parties organized by a friend. One day, she meets Pierre, who invites her to his château.

A mad man prematurely goes out of a psychiatric hospital and pretends to be Hitler's son to go back in.

In the autumn of '43, Mina, a little girl of Jewish origin, is entrusted to farmers in the Cévennes. Shocked by Jeroboam's frustrated manners and Deborah's cruel reflections - who is still suffering two centuries later from the struggle between Protestants and Catholics - Mina thinks she'll find refuge with Jeannot. But the young boy doesn't like girls and mistreats Mina. Fortunately, she has a friend: the village pastor. Thanks to him, she can go to school. Despite their constant bickering, Mina takes a liking to Jeannot. She convinces him to come to school with her. Together, they go for walks or take advantage of the passage of maquisards to force open the cellar door where hams hang! The arrival of an "informer" at the little school and encounters with the Germans disturb Jeannot.