Serap Aksoy

A prostitute lays a rape charge against a politician and an unexpected friendship develops between her and the politician's wife.

In this deeply symbolic and visually lush film, as far as Tashbash is concerned, he's just a malcontent, a fairly ordinary hell-raiser who has gotten into trouble with the law in the past. Sure, he hates the village headman who is a toady to the region's oppressive landlord, and he dislikes the fact that everyone looks to the headman for help because they have no place else to turn, but he's just an ordinary guy and has no solutions for his fellow villagers. However, after one of them has a vision in which Tashbash is shown to be a manifestation of one of their more important local saints, the villagers unite as one in seeking him out for help with the upcoming visit of the landlord to collect rents which they can't pay. Their adulation and reverence is so persistent that eventually even Tashbash becomes a believer.

Tulay, a restless woman whose marriage is slowly disintegrating sets out to come to terms with various traumas while continually being watched by Halit, a resident in her apartment complex.

In the last years of the Ottoman Empire, a poor little Anatolian town named Saripinar is hit by a minor earthquake which has neither destroyed nor left it with many casualties. However, a telegraph sent to the central government exaggerates the situation and mentions that the governor of the town has been severely wounded, making the event a nationwide matter.

Berna, a theater artist, struggles for the sake of acting only for art at a time when popular culture is dominant. Meanwhile, during a visit to a museum on 'The First Women of History', she is very impressed by the hand-painted portrait of Afife Jale, the first Muslim Turkish actress to appear on stage.

A portrayal of three cancer patients' struggle to hold on to life and their friendship.

Five short films by five directors based on themes of love and tolerance, each independent of the other. Supported by the Ministry of Culture and Efes Pilsen. The collection includes five short films: Ömer Kavur's "The Meeting," İrfan Tözüm's "Monte Cristo," Yusuf Kurçenli's "Because I Love Her," Erden Kıral's "Moon Stories," and Zeki Ökten's "Always the Same."

In 1940s Turkey, the war is recently over, but the wounds are still fresh, and the WWII is going on next door. A different family lives in each room of a mansion. They all lead a scarce life but hold on to life with hope.

Deniz goes to his hometown for his aunt Feraye's funeral. Nigar first offers her condolences to Deniz, then hands him her card and invites him to her home to discuss an important matter. Nigar wants to buy the land that Deniz inherited from his aunt, which includes a vineyard, a workshop, and olive groves. She makes a good offer. While Deniz is packing up her aunt's belongings at her aunt's house, she finds her aunt Feraye's diary.

Elena, who lost her husband to cancer after the Chernobyl disaster, one of the greatest catastrophes in recent history, finds a solution in coming to Turkey for treatment when she learns that her son is also suffering from the same disease. While Elena is undergoing treatment in Trabzon, she meets Şenol, a footballer who dreams of playing for Trabzonspor. Şenol falls in love with her at first sight without a second thought... On the other hand, Trabzonspor, which was heading for the championship in the 1995-1996 football league, loses the championship in the final match, and the world of their cheerleader Ahmet collapses... On the other hand, there is Kazım Koyuncu, who has won the hearts of millions with his voice and personality. As a victim of Chernobyl who lost his life to cancer, Koyuncu is like the voice of the local people...

Turkish television series based on the novel of the same name by Reşat Nuri Güntekin.