Directing
Erden Kıral
Born April 4, 1942 · Kocaeli, Türkiye
Died July 17, 2022 · aged 80
Erden Kıral (10 April 1942 – 17 July 2022) was a Turkish film director and screenwriter. He directed 12 films from 1978 on. His 1979 film, The Canal, was entered into the 11th Moscow International Film Festival and his 1983 film, A Season in Hakkari, was entered into the 33rd Berlin International Film Festival, where it won the Silver Bear – Special Jury Prize. Five years later, his film, Hunting …
Known For
Kanal · 1979Kanal
★ 6.41979
MovieDrama
Based on real events, this story traces a young district governor’s moral awakening as he confronts a powerful landowner in rural Adana. What begins as a routine bureaucratic act soon turns into a struggle to shield villagers from exploitation, greed, and the threat of malaria.
Conscience · 2008Conscience
★ 5.42008
MovieDrama
Centers on a passionate and complicated love story that connects three small-town people trying to survive solely on their labor. Aydanur is a young woman living in Anatolia who wants to break away from whatever life has--or doesn't have--to offer her. Meanwhile, Mahmut is stuck between Aydanur and his wife, Songul. However, Aydanur starts covering a much bigger space in his heart. The roads of the two intersect at a tavern.
The Mirror · 1984The Mirror
★ 5.41984
MovieDramaRomance
Zelihan and Necmettin, a young couple, live in a small village in the service of an agha. They share their poor "one-eye" room with the agha's ox. In this environment of poverty and loneliness, the agha's brother is determined to seduce Zelihan, whom he has set his eyes on.
The Blue Exile · 1993The Blue Exile
★ 4.61993
MovieDrama
Mavi Sürgün is a fictionalized account of one period of the life of a Turkish journalist who was condemned to exile for an article he wrote in 1925. He turned his punishment into a reward by creating a little paradise in what is today the holiday resort, Bodrum. In fact he is considered by some to be the first ecologist. The film concentrates on this latter aspect of his character and through flashbacks portrays the inner turmoil of a man who is trying to come to terms with his past. The slow pace is somewhat of a drawback, the flashbacks are often confusing and the protagonist is not always very convincing. But the photography of the country side is exceptional Kenan Ormanlar and the short appearance by a very theatrical Hanna Schygulla of Fassbinder fame adds a little spice to the drama.
The Wedding Night · 1966The Wedding Night
★ 9.01966
MovieRomance
A woman trying to take revenge on her husband who left her.
Gece · 2014Gece
★ 4.02014
MovieDrama
A family forcibly displaced from their village struggles to stay together when Süsen, the daughter of an already broken home, defies her kin to marry her childhood love Yusuf. As her father and brother abandon the family and marriage fails to bring the dreamed-of salvation, Süsen and Yusuf must confront mounting responsibilities and learn to adapt, or risk losing each other entirely.
Dilan · 1987Dilan
★ 9.51987
MovieDrama
Based on a well-known Turkish novel, Dilan narrates the story of a peasant woman who decides to avenge the murder of her lover. In a remote village in Southeastern Turkey, two men are in love with beautiful Dilan: the rich Paso and the poor but brave Mirkan. When Dilan chooses Mirkan, Paso has the youth killed by one of his men. Dilan marries Paso, but she murders him on their wedding night and runs away to the mountains. A tragic love story as well as a realistic portrait of the existence of the rural people of Anatolia, Dilan was shown at several international film festivals, including Cannes, Venice and Berlin.
Hunting Time · 1988Hunting Time
★ 6.21988
MovieDrama
During the year of the repressive military regime, a Turkish writer gets disillusioned by the loss of a dear friend and retires to his hometown on a remote island where he feels safe from the political turmoil. There he escapes to the world of memories, having imaginary conversations with his dead friend. However, the news of a new murder alerts him to the dangers lying ahead. Shot in Turkey following the years of military regime, Av Zamani carries autobiographical elements as the director Erden Kiral also had to flee the repressive regime of his country to be an exile in Germany. The weakness of the film is that the director is not able to take enough distance from the events to give the story a more universal appeal. Av Zamani was screened at the Montreal World Film Festival 1988.










