Adriano González León

Portable Country is a classical Venezuelan film about the urban guerrilla. Based on the novel of the same name, written by Adriano González León, the film centers on Andrés Barazarte, a disillusioned man from a wealthy landowning family, who grapples with his personal and political identity in the midst of Venezuela's tumultuous social changes and engages in the guerrilla. He reflects on his life, his family's decline, and the broader struggle for power in a country torn between tradition and revolution.The story unfolds as Andrés is tasked with transporting a mysterious package. This journey becomes a metaphor for his search for meaning and a confrontation with his family’s, and his country's, violent past. His recollections weave together with present events, creating a complex tapestry of memory and history.

Dead Well (Pozo muerto, 1967) is a Venezuelan documentary directed by Carlos Rebolledo and produced by the avant-garde collective El Techo de la Ballena. Through a series of testimonies from residents of the oil towns of Cabimas and Lagunillas, the film recounts the human cost of Venezuela’s oil industry. Tracing the country's petroleum history from the 1922 Barroso II oil well blowout to the late 1960s, it exposes the exploitation, poverty, and environmental devastation endured by communities along the eastern shore of Lake Maracaibo. Filmed in black-and-white on 35mm, the documentary is regarded as a landmark work of the New Latin American Cinema.

Imagen de Caracas was an experimental film spectacle, directed by Jacobo Borges and Mario Robles in 1968 for the 400 anniversary of the foundation of Caracas. It needed more than 48768 meters of film and 5000 actors.

María Eugenia Alonso, almost a woman, still an adolescent, returns from Europe to impose the light of her reason on that of her old house, a temple of boredom, where, as in the ancient and moist churches, the old smell of traditions and race floats.